Wednesday, October 13, 2010

Are you a Philosopher turned Poet or a Poet turned Philosopher????????

150,045 items / 1,150,240 views


From Wikipedia The Story of Humility as the Essence of Humanity ...


In the Mahabharatha,[2] Ekalavya is introduced as a young prince of the Nishada tribes. Ekalavya was born to Devashrava (brother of Vasudeva, who was father of Krishna) and was raised by Hiranyadhanus, the leader (King) of the Nishadhas, who was a commander in the army of Jarasandha (the king of Magadha).[3]

Eklavya was a small bright boy who lived near the ashrama of Drona, where Pandavas and Kauravas used to take lessons in various arts. He had great desire to learn the art of archery from Dronacharya. But his mother had told him that Drona would not accept Eklavya as his disciple because of his lower caste. It was futile to dream of such a privilege. But the boy was not be put off, his determination knew no bounds. he ask Guru Drona but but got refused.

Ekalavya goes off into the forest where he fashions a clay statue of Drona. Worshipping the statue as his preceptor, he begins a disciplined program of self-study. As a result, Ekalavya becomes an archer of exceptional prowess, greater to even to Drona's best pupil, Arjuna. One day while Ekalavya is practicing, he hears a dog barking. Before the dog can shut up or get out of the way, Ekalavya fires seven arrows in rapid succession to fill the dog's mouth without injuring it. The Pandava princes come upon the "stuffed" dog, and wonder who could have pulled off such a feat of archery. Searching the forest, they find a dark-skinned man dressed all in black, his body well built and his hair were long. It is Ekalavya, who introduces himself to them as a pupil of Drona..

Drona asked for the right thumb of Eklavya as his guru dakshina, or payment for teaching. Drona has been criticized by others over this incident. According to the Mahābhārata, Drona was protecting the fated superiority of Arjuna. All this, however, does leave open the question whether Drona was justified in demanding of Ekalavya a tribute that was neither, strictly speaking, his due nor, even loosely speaking, honestly intended. It also raises the further question that if Arjuna's superiority was truly fated, Ekalavya's mastery would have no consequence for the Pandavas. The Mahābhārata does not answer this question. The story leaves room for interpretation and moral speculation. As a result, a variety of answers have been proposed to the quest

Others have alleged that Ekalavya learned all his skills in archery by secretly observing the training sessions of Dronacharya. When Dronacharaya found out, he visited Ekalavya to verify his suspicions. Although Drona could have demanded an even greater punishment under the laws in effect at that time, he asked only for Ekalavya's right thumb.

Another interpretation construes Drona's demand as symbolic of the hegemonic self-imposition of Aryan mores upon the indigenous population of India, of which Ekalavya stands as a radiant example. He has been lauded by many Indians, including Adivasis, as a paragon of achievement; a person who trained himself to attain heights of accomplishment that the nobles of the Kuru house (see Kuru (kingdom)) could only achieve through formal tutelage.

Later, Ekalavya worked as a confidant of King Jarasandha. At the time of Rukmini's Swayamvara, he acted as the messenger between Shishupala and Rukmini's father Bhishmaka, at Jarasandha's behest.[3] Bhishmaka decides that Rukmini should marry Shishupala, but instead Rukmini elopes with Krishna. Ekalavya is later killed by Krishna during the latter's conflict with Jarasandha's army.[3][4] To be killed by Krishna is a mark, in Krishnaism (as in most forms of Vaishnavism), of exceptional divine favour..

on the soul
of a photographer
archery too is
photography
shooting pictures
silence scream less
soundless screech
but finding
dronacharya
for this lowly poet
was beyond his reach
but inspired
brahmanic
frontiers
of exclusivity
shut doors
he tried to breach
invoking the lotus
feet of his would be
reluctant reserved
godly guru
he did beseech
the guru knows not
it was unlearning
photography
to a poet he did teach
from the soul
of learning
imbibing
the values
to marziya
the peach
the nkon d80
stuck to her
two and a half year
old cosmic
consciousness
like a leech


so marziya's guru by default is dronacharya as a figure of speech

Auto Generated Poems Of The Mind

150,028 items / 1,148,884 views

No humans were involved in the creation of this poem
It is an auto-generated, so please don't reply. it is cosmic too

my cosmic creativity
in locked doors
of a word smithy
relatively
ricocheted
front and behind
recycled remorse
unsympathetically
defined
its human to err
but to read
doomed destiny
a thought
deafeningly divine
turning pulpy
words into
syrupy wine
a soul slithering
supine what
i want is certainly
not online
i search endlessly
i try hard to find
through words
within words
in the dark dungeons
chaotic corridors
of my depraved mind
love is monochromatic
curves color blind
only her eyes
that peer the soul
of my poetry
through
venetian blinds
me through her
she through me
disillusioned
my karmic destiny
unkind

dedicated to the wine lady
alice feiring in wineland

Razor Hands That Heal

150,044 items / 1,149,986 views

on pitru paksha day
at banganga water
tank bald heads
layers of hair
peeled spiritually
signed and sealed
men who razors
have never known
to wield
become barbers
for a day
mundiyan
mugiyon ki
tarha cheel
razor hands that
cut make
the head bleed
some ordeal
but also razor hands
that heal
paying tribute
to the soul of
dead ancestors
the damage
to their scalps
they don't feel
a wheel within
the soul of
a karmic wheel
with shiva
as the third
eye of my camera
on the soul
of humanity
i did steal
a memory card
a moving
film reel
hope and hindutva
a message of
peace and humanity
tolerance mutual coexistence
mans only solution
living together
as Indians
a cherished ideal
a muslim blogger
through pictures
reveals tantric
yogic on a
spiritual cartwheel

A Muslim Blogger In A Hindu Heartland

150,043 items / 1,149,922 views

both Indians
one motherland
a land of peace
hope and humanity
a unique land
a cherished soil
on which
justice equality
liberty as pillars
of mankind stand
a thought unfortunately
the racist with a hindu voice
or the bigot with a muslim bias
wont understand
a land of diverse colors
a spectrum of unity
one single band
beyond caste color
or religiosity
gods own land
made in india
gods own brand
where tolerance
mutual coexistence
progress future
go hand in hand
shooting hope hindutva
a message of peace
hope and humanity
art culture creativity
heritage ancestry
of man all very grand
himalayas ganges
from kashmir to kanyakumari
held by a strand
of love brotherhood
a pledge between
god and man
whatever your
ethnicity as
INDIANS
one single clan

Pitru Paksha

150,042 items / 1,149,502 views

to pay homage
to their ancestors
on pitru paksha day
to banganga tank
they make their way
it is said that
their ancestors
com down on earth
for their departed souls
they pray
clean shaven bald
migrants from
uttar pradesh
who in mumbai stay
offerings on dry leaves
that serve as tray
a lamp lighting
a path floral
tributes they pay
each year
in every way
with warmth
soulful serenity
undying
memories as always
touched by the
soothing
reinvigorating
suns rays
hope and hindutva
a message of
peace and humanity
captured by a
barefeeet blogger
on a gray
cloudless day
amchi mumbai
jai maharashtra
jai ramji ki
sab theek thak
okay

Tuesday, October 12, 2010

Ma Durga Shot By Marziya Shakir Nikon D 80

150,013 items / 1,148,662 views

This is Ma Durga shot by a two and a half year old street photographer on the Nikon D 80.Marziya Shakir .of Mumbai

Wikipedia

In Hinduism, Durga (Sanskrit: दुर्गा, meaning "the inaccessible"[1] or "the invincible"; Bengali: দুর্গা, durga) or Maa Durga (Bengali: মা দুর্গা, ma durga, meaning "Mother Durga") "one who can redeem in situations of utmost distress".[citation needed] Durga is a form of Devi, the supremely radiant goddess, depicted as having ten arms, riding a lion or a tiger, carrying weapons and a lotus flower, maintaining a meditative smile, and practicing mudras, or symbolic hand gestures.[citation needed]

An embodiment of creative feminine force (Shakti), Durga exists in a state of svātantrya (independence from the universe and anything/anybody else, i.e., self-sufficiency) and fierce compassion. Kali is considered by Hindus to be an aspect of Durga. Durga is also the mother of Ganesha and Kartikeya.[2] She is thus considered the fiercer, demon-fighting form of Shiva's wife, goddess Parvati. Durga manifests fearlessness and patience, and never loses her sense of humor, even during spiritual battles of epic proportion.[citation needed]

The word Shakti means divine feminine energy/force/power, and Durga is the warrior aspect of the Divine Mother. Other incarnations include Annapurna and Karuɳamayi (karuɳa = kindness). Durga's darker aspect Kali is represented as the consort of the god Shiva, on whose body she is often seen standing.
Durga Slays Mahishasura, Mahabalipuram sculpture.

As a goddess, Durga's feminine power contains the energies of the gods. Each of her weapons was given to her by various gods: Rudra's trident, Vishnu's discus, Indra's thunderbolt, Brahma's kamandalu, Kuber's Ratnahar, etc.

According to a narrative in the Devi Mahatmya story of the Markandeya Purana text, Durga was created as a warrior goddess to fight an asura (an inhuman force/demon) named Mahishasura. He had unleashed a reign of terror on earth, heaven and the nether worlds, and he could not be defeated by any man or god, anywhere. The gods went to Brahma, who had given Mahishasura the power not to be defeated by a man. Brahma could do nothing. They made Brahma their leader and went to Vaikuntha — the place where Vishnu lay on Ananta Naag. They found both Vishnu and Shiva, and Brahma eloquently related the reign of terror Mahishasur had unleashed on the three worlds. Hearing this Vishnu, Shiva and all of the gods became very angry and beams of fierce light emerged from their bodies. The blinding sea of light met at the Ashram of a priest named Katyan. The goddess Durga took the name Katyaayani from the priest and emerged from the sea of light. She introduced herself in the language of the Rig-Veda, saying she was the form of the supreme Brahman who had created all the gods. Now she had come to fight the demon to save the gods. They did not create her; it was her lila that she emerged from their combined energy. The gods were blessed with her compassion.

It is said that upon initially encountering Durga, Mahishasura underestimated her, thinking: "How can a woman kill me, Mahishasur — the one who has defeated the trinity of gods?"[citation needed] However, Durga roared with laughter, which caused an earthquake which made Mahishasur aware of her powers.

And the terrible Mahishasur rampaged against her, changing forms many times. First he was a buffalo demon, and she defeated him with her sword. Then he changed forms and became an elephant that tied up the goddess's lion and began to pull it towards him. The goddess cut off his trunk with her sword. The demon Mahishasur continued his terrorizing, taking the form of a lion, and then the form of a man, but both of them were gracefully slain by Durga.

Then Mahishasur began attacking once more, starting to take the form of a buffalo again. The patient goddess became very angry, and as she sipped divine wine from a cup she smiled and proclaimed to Mahishasur in a colorful tone — "Roar with delight while you still can, O illiterate demon, because when I will kill you after drinking this, the gods themselves will roar with delight".[cite this quote] When Mahashaur had half emerged into his buffalo form, he was paralyzed by the extreme light emitting from the goddess's body. The goddess then resounded with laughter before cutting Mahishasur's head down with her sword.

Thus Durga slew Mahishasur, thus is the power of the fierce compassion of Durga. Hence, Mata Durga is also known as Mahishasurmardhini — the slayer of Mahishasur. According to one legend, the goddess Durga created an army to fight against the forces of the demon-king Mahishasur, who was terrorizing Heaven and Earth. After ten days of fighting, Durga and her army defeated Mahishasur and killed him. As a reward for their service, Durga bestowed upon her army the knowledge of jewelry-making. Ever since, the Sonara community has been involved in the jewelry profession [3].

The goddess as Mahisasuramardhini appears quite early in Indian art. The Archaeological Museum in Matura has several statues on display including a 6-armed Kushana period Mahisasuramardhini that depicts her pressing down the buffalo with her lower hands [4]. A Nagar plaque from the first century BC - first century AD depicts a 4-armed Mahisamardhini accompanied by a lion. But it is in the Gupta period that we see the finest representations of Mahisasuramardhini (2-, 4-, 6-, and at Udayagiri, 12-armed). The spear and trident are her most common weapons. a Mamallapuram relief shows the goddess with 8 arms riding her lion subduing a bufalo-faced demon (as contrasted with a buffalo demon); a variation also seen at Ellora. In later sculptures (post-seventh Century), sculptures show the goddess having decapitated the buffalo demon.

The four day long (Saptami to Dashami) Durga Puja is the biggest annual festival in Bengal, Orissa, Bihar, and Assam. It is celebrated likewise with much fervour in other parts of India, especially the Himalayan region, but is celebrated in various forms throughout the Hindu universe.

The day of Durga's victory is celebrated as Vijayadashami (Bengali), Dashain (Nepali) or Dussehra (Hindi) - these words literally mean "the Victory Tenth" (day).[5]

In Kashmir she is worshipped as shaarika (the main temple is in Hari Parbat in Srinagar).

The actual period of the worship however may be on the preceding nine days (Navaratri) followed by the last day called Vijayadashami in North India or five days in Bengal (from the sixth to tenth day of the waxing-moon fortnight). Nine aspects of Durga known as Navadurga are meditated upon, one by one during the nine-day festival by devout Shakti worshippers.

In North India, the tenth day, signifying Rama's victory in his battle against the demon Ravana, is celebrated as Dussehra - gigantic straw effigies of Ravana are burnt in designated open spaces (e.g. Delhi's Ram Lila grounds), watched by thousands of families and little children.

In Mysore Karnataka, she is worshipped as Chamundeshwari, the patron goddess of the city during Dussehra

In Gujarat it is celebrated as the last day of Navaratri, during which the Garba dance is performed to celebrate the vigorous victory of Mahishasura-mardini Durga.

The Goddess Durga is worshiped in her peaceful form as Maha Gauri, The Fair Lady, Shree Shantadurga also known as santeri, is the patron Goddess of Goa. She is worshiped by all Goan Hindus.

In Maharashtra, Tulja Bhavani and Ambabai is worshiped as Mahishasur Mardini and is patron goddess of land. Bhavani is known as Tulaja, Amba, Renuka, Yamai, Saptshrungi, Jogai in different places of Maharashtra. She is inspirational goddess of Raja shivaji. As per legends, Bhavani revealed to Shivaji and blessed him to form a kingdom.

The Street Photographer of Mumbai - Marziya Shakir

150,013 items / 1,148,676 views

She shoots pictures with her eyes closed
half shut half open god alone knows
sons daughter a grand daughter up close
one month short for her three years
grand daughter of a barefeet blogger firoze
caught in the meshes of worldly woes
held captive within locked doors of fate
through misery pain despair
on the soul of humanity as weeds it grows
as the winds blow to and fro
marziya mumbaikar jai ho

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