Saturday, October 31, 2015

My Next Series Is 11 Moharam at Dargah Hazrat Abbas Lucknow

I normally arrive in any city to shoot Moharam on 7 Moharam and than return on the day after Ashura , and I was totally caught up in a work that I had taken before Moharam of a very dear friend and I was committed to him he was leaving the country ,, so I planned my Moharam journey after I delivered his clothes and Javed of Kalpana Travels Bazar Road got me tickets in a reserved non AC compartment to and fro so I left on 22 Oct and returned two days after Ashura as I was aware of the two iconic juloos this at Hazrat Abbas Dargah and the other also on 11 Moharam at Muftiganj Meeransabs Imambargah .
This Lucknow trip I was lucky to befriend my father in laws nephew Salman Qazilbash who shot my kama matam video.. and who accompanied to both these 11 Moharam shoots .. and without him it would have not been possible I had eaten some train food and on reaching Lucknow I had a severe bug... and it was irritating me badly on 11 Moharam.. it was a very harrowing experience after I had shot Meeran Sabs Juloos ,,
My kama wounds heal in 2 days though I am a diabetic and strangely a normal wound on my leg will pester me for months and I walk barefeet during all these Moharam shoots .
This time as mentioned earlier I shot a lot of videos though I hope to learn video editing so all my videos are raw as is where is stuff .. with noise with the fragrance of rosewater and blood and the thirst of the parched earth under my barefeet .
And this is Lucknow Azadari shot by a beggar poet , a man who lives with beggars fakirs malangs and a photo blogger this is certainly not a media shoot .. I could never be a Khat Khat Khat a Khat shooting photographer ,,
And I shoot lengthy story boards this time I have included my street shots my other shots like the British Residency too in my Ashura in Lucknow set at Flickr and I began my train journey blessed by the Hijras in the trains and when I told them I was going to shoot Moharam one of them gave me Rs 51 to put it at the Roza of Dargah Hazrat Abbas ,, she was from Lucknow too and I had tears in my eyes ,, I cannot change another mans destiny .. but if she wants to be treated as a woman I respect her decision and her choice ,, on my return too I was again met by the Hijras on the train but most of them know I am a Malang and respect me ,, as I respect them too.. these pictures are not for public view ,,
So in short this is my spiritual trek.. this is not some spiel on blogging .. this is about original content for me without original content pictures or thought blogging would be water on ducks wet ass .. so I kept away from congregational blogging tours ,, that earn you nothing that you never knew ,,
With 357000 original blogs shot in humility of all religion of India my mother country what lessons can I learn from erstwhile Tech bloggers ,,I began blogging in 2004 ,, and sometimes just a single frame is worth a million thoughts and words .
Not Christian or Jew or Muslim, not Hindu
Buddhist, sufi, or zen. Not any religion
or cultural system. I am not from the East
or the West, not out of the ocean or up
from the ground, not natural or ethereal, not
composed of elements at all. I do not exist,
am not an entity in this world or in the next,
did not descend from Adam and Eve or any
origin story. My place is placeless, a trace
of the traceless. Neither body or soul.
I belong to the beloved, have seen the two
worlds as one and that one call to and know,
first, last, outer, inner, only that
breath breathing human being.
Jalaluddin Rumi

Friday, October 30, 2015

Let yourself become living poetry. ~Rumi

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The British Residency 2015 Lucknow

The Dirtiest Place In Lucknow Near Bada Imabada

The Cow ,, In Lucknow

The Dying Indian Woman In Lucknow

Wednesday, October 28, 2015

Hindu And Muslim Two Sides Of The Same Coin Called India

I start my new series Moharam Ashura in Lucknow 2015 ,, with this image of Hindu Muslim amity ,, After I cut my head with two daggers and start my walk from Nakhas the starting point of the Ashura juloos in Lucknow close to my in laws Abbas and Wasim Qazilbash s house . ..till Karbala Talkatora a distance of 8 km barfeet and in the hot blazing sun.. all the processionists including women children all are barefeet ,
There are no vehicles on this road from Nakhas to Talkatora you go walking and can come back walking ,, or take a detour from another road to reach Nakhas by ricksha.
When I have walked quite some distance and reach this iconic Hanuman Temple , the head priest of this temple waits for me , he blesses me and with his hand on his chest pays respect to the Azadars of Imam Hussain.. he gives me water and we hardly have time to talk.. he meets me year after year only during Ashura or Chehlum..and we become one in our Indianness that goes beyond our diverse religiosity ,, caste or creed .
After my kama matam this is the most memorable part of shooting and taking part in Moharam Ashura 2015 in Lucknow .
At Talkatora I shot the burial of the Tazias..and the dirge at the cemetery when they are laid to rest on Ashura day ,,this time I shot a lot of videos ..
This is a story board of my Moharam trip from CST Mumbai till Charbagh , it begins from my in laws house at Nakhas i and includes 9 Moharam Ashura and 11 Moharam and my visit to British Residency ,,a lot of street shots and street videos ..
I returned last night ,, from Lucknow ...this is a long series ,, of my visit to my birthplace Lucknow ,, but I have lived all my life in Mumbai Colaba and than Bandra ,,60 years of Mumbai and honestly there is not much love left for Lucknow ,, this is the hometown of my wife and one of my daughter in laws ..
Lucknow ,, the old part of Lucknow Pata Nala where my forefathers lived my maternal grandfather Daroga Nabban Sab descendant of poet Mir Anis ,,has not changed much.. nothing remains just a few faded dying memories ,, just that my parents were born in Lucknow and I was born in Lucknow too ,,,accidental cosmic fate ,, my parents lie buried in Mumbai soil ,
..umr-e-daraaz maang kar laaye they chaar din
do arzoo mein kaT gaye do intezaar mein
kitnaa hai bad_naseeb "Zafar" dafn key liye
do gaz zamin bhi na mili kuu-e-yaar mein

Wednesday, October 21, 2015

Marziya Shakir Shoots A Her Malang Grandpa And The Naga Sadhu

At first when I gave Marziya my camera to shoot us she was a bit reluctant , but than I gestured it was OK.. and she took two shots ,,and she has come a long way she is completely confident and the she understands the camera ,,,
From the second day of her birth at Holy Family Hospital , she was blessed by my camera and I literally forced the camera on her childs soul ..she was my first granddaughter , daughter of my eldest son Asif and when she came home from the hospital I began shooting her prolifically , I wanted to shoot her smile her yawn and I never tired , she would converse with me silently through the third eye of Shiva.. metaphorically and mystically and the Naga Sadhus have been there ,, in my life without her knowledge .
I had my workspace at 29 Road Bandra , and the day Marziya was born I was at my shop there was some complication , her neck was stuck in the umbilical cord ,,I was really worried brooding , my wife my mother in law were at the hospital ,, as I was thinking about her I had not seen her, a few Naga Sadhus walked into my shop, my shop was famous for Sadhus beggars and the hijras who came , because I gave them what I could ,,
When the Naga Sadhus looked at my sad face I was about to tell them about my granddaughter .. these are outstation Naga Sadhus ,, I was not even a Malang those days ,, He congratulated me said Shiva has put the serpent round your childs neck.. and I was shocked beyond words , they said everything will be fine ,,
When my Naga Guru Shri Vijay Giri Maharaj came home I dont think Marziya was born ..he came to my house in 2004 ,,but later he always inquired about her without having seen her ,, I mean to the sceptical this will sound pure bullshit ,, but this was the first time in Marziyas life she was meeting a Naga Sadhu ,,
In the cab she looked at me in wonderment and said Dada you have so many different types of friends ,,I told her you must respect all of them.. I never take Marziya out but this was while returning from a visit to my dear friend Mansoor Showghi Yezdi sabs Irani restaurant .
And perhaps this is the first time I have had no time to visit the Durga pandals or shoot them ,also the first time I did not take Nerjis to shoot the Durga worksops in Bandra or the Bandra Durga Pandals,, and I dont think I will be able to shoot the Durga Visarjan I am bogged with work and with my wife away in Karbala I am helpless as she helped me out in my work.
But I am happy that Marziya Shakir learnt photography the way I would have wanted her to learn photography , ordinarily not in the way kids learn photography , I taught her virtue pain through the camera I showed her the diversity of Faith she shot St Peter Church , Mount Mary , Hindu feasts and she absorbed the daily struggle of the beggars ,, and when she was 3 year old she began shooting the hijras that begged in my area ..
So in a way Marziya has come a long way ,
No she will never be part of a camera club
Her teachers are those eminent photographers that visit my house ,, and she calls Viola a Danish photographer her Guru..
I demystified the camera and the Art of Photography for my granddaughters , they are not intimidated by the Genie in the camera that I call Shivas Third Eye ,, and once you have this genie in your grasp photography is a Childs Play.
Yes Fuck F Stops

Cafe Irani Chai ..Shot By Marziya Shakir 7 Year Old

I took Marziya Shakir to my dear friend Dr Mansoor Showghi Yezdi iconic new Irani restaurant at Mahim near Canossa Convent , as Mansoor Bhai was not there his son Mohomed took care of us highly hospitable kind courteous like his Dad The Hindustani Chaiwala ,, Marziya had icecream I had Irani kava black tea and bun maska .
The specialty here is Kheema Brun exotic aromatic delicious Irani Biryani and other mouth watering dishes ,,
This is a great family restaurant , homily ambiance ,,nostalgic and memorable Mansoor Bhais mantra is Devo Atithi Bhava ,, Guest is God Food of the Loom Gift of the Lord ,,
Please visit this place as Mansoor Bhai needs your love support and encouragement ,,he by the grace of God wants to have Cafe Irani Chai in all the major cities and his friend Reza Kabul wants him to have one in LA too...Los Angeles and not Lavassa Lol

Monday, October 19, 2015

Beggar Poet

am a muslim
a hindu a christian
a jew he said
a mere thought
among the living
among the dead
i am a beggar poet
as the blood
like a rivulet flowed
from his head a face
within a face colored
red silently on the soul
of his poetry it spread
man can live without art
but not without culture
moving pictures born
from the stores he had read

Ear Cleaners of Bandra Talao

Sunday, October 18, 2015

Video Street Photography

I did not know how to shoot a video..and in the early years I would request close friends to shoot Marziyas videos ,, she was a great kid ..I wanted to document her growth as an intuitive child and as a young street photographer but I could manage just one video of her toddler days , and it hurts terribly she is 7 now ,,hardly any videos of Nerjis .. save the one stitched together by Assad Dadan of all three Marziya Nerjis an Zinnia my 3 granddaughters .
After coming back from Hyderabad I began shooting videos earnestly on Motorola G , I than shot videos on my next phone Xiaomi but the videos became temporary files I was given a defective Xiaomi by Flipkart , I blasted them with my tweets they replaced it with a new Xiaomi , their technician checked the phone it was defective too they refunded the amount , my son gave me a Lenovo ,, and finally a Windows phone Lumia another bad phone from Flipkart , my son bought it for 10 K and sold it to a friend for 4 K..
Finally after exchanging 2 old Motorola G s first generation and son added 15 K I got the HTC Desire 826 , so most of my videos are shot on the HTC...
I still dont know how to edit stitch videos , so I shoot raw stock footage as is where is far I have shot 525 videos ,, only 4 or 5 videos were not shot by me ,my oldest ones Moharam related .
The rest 510 are shot by me , in about 3 or 4 months ..
I hardly take my camera out unless I am specifically shooting a feast or an event ,, otherwise both my cameras are locked up in a lit up cupboard ..I shoot with my mobile phone ,, impulsively ,, if I am near Bandra Talao I shoot the ear cleaners passionately I become the model and the videographer using Selfie mode..
I have just come home shooting a few videos of Nabi Bhai Ear Doctor Wax remover ,,but I am evolving funny thing to say at 63 ,, I shot the streets with my mobile phone now I video shoot my street subjects , some I talk interview very casually without any script ,, and I am enjoying it I use my mind imagination.. for the first time I gave a commentary on the ear cleaner while I shot him cleaning the ears I put my views my thoughts and though I have disabled comments on my You Tube videos I have left one open. I dont want to be trolled with sick peoples views . I did not shoot for them I did not borrow their camera , I used my camera and my fucked vision.. period ,,
You dont like it too bad move on.. you are not my target audience I dont pimp my videos pictures by tagging you I dont post my shit on your commode of a timeline ,,
I use moderation before I upload before I Shoot .. my pictures are uploaded at Flickr videos at You Tube , sometimes I blog directly at Facebook like this one it will be copied to Flickr Blogspot and a Tweet ,, I dont use Ello anymore ,, I got over the initial euphoria basically Ello is for Facebook rejects , and GIF obsessed nerds ,, I am out ,, it was good for sometime ,,
Well back to my street video shooting I shoot videos on my Canon 60 D I have not yet shot videos on my Canon 7 D ,,,
And I am learning by trial error I dont watch videos on how to shoot videos I simply shoot ,, everyday to hone my skill I shoot garbage I have shot over 75 garbage videos ,, I shoot playlists ,, of diverse subjects ,,
I shoot impulsively ,, for fuck sake ,, there is no method to my madness ,, I shoot with my eye and I spot a video to be shot much before I shoot it , and my channel is growing .. but I am yet to earn any money and I have vowed by sweet Jesus and Jheovah if I do make money I will pay the school fees of the girls staying in the slums ,,,studying in Municipal schools NO I will not give a penny to a Madrsa ,, I think Madrsas are only meant to create Mullahs ,, and nothing else , yes I am biased opinionated and I am happy I think differently and convent school s if a poor child can afford it is million times better than a regressive Madrsa or the regressive Municipal school..
So what I shot today as video has also changed me I now see things objects situations cinematically more clearly and more cosmically ,and though I am an intgral part of Bollywood I dont watch films Indi Hindi English at all I film the streets I dont see TV at all ,,this is my penance and I took it at the Pushkar Mandir ,, along with walking barefeet as much as I 2005 ,, I think .and only Lord Brahma is aware of it ,, I meet him once a year..during my visit to the Great Sultan of Sufism Khwajah Garib Nawaz of Ajmer Sharif.
I only saw the clip of the film I acted in but not the entire film.. so I am what I am but not a fucked positive Spam...Phata Poster Nikla Zero.. Feroz

Thursday, October 15, 2015

She Thought I Was A Mystic

she asked me politely
sir can you read my
future tell me what is
in store for me ,,she
begged me pleadingly
will i get a good husband
caring who would give
me love take me as his
wife for my inner beauty
a husband who wont
beat me or demand
dowry a husband who
wont burn me she
went on frighteningly
i am a poor hawker
selling her wares on
the street but i have
dreams deep within me
i heard her silently
i touched her head
father like blessed her
wishing her a good
husband finally ..
two children a nice
home in the jhopadpati
seeing her smile ,,i shot
this picture stole her soul
leaving her to her thoughts
that she was more stronger
than me ,, in her faith in
her resolve than me ,,,
as she became the heroine
of my stray street shots poetry

Wednesday, October 14, 2015

Moharam means New Year but for us Shias it is Mourning For The Martyrdom Of Imam Hussain Grandson of The Holy Prophet ,,

It will continue for 2 month eight days ,, no music no films no marriages no festivities ,, till the day when the mourning ends on 9 Rabilawal when the Shias celebrate Navi or Eid E Zehra ,,,so this is for my friends who are not aware of it ,, we dont send New Year Greetings nor accept or reply to them.

Photography Must Educate Must Have A Purpose Or Else It Is Meaningless

photography shooting pictures
as pictures makes no sense
palming of rubbish posing as
art is sheer nonsense ,, pictures
must talk reveal heal not simply
created by heads all dense ,,
pictures must tell stories ,,
create suspense alluring
intense ,,  otherwise not
'worth two pence showing
off with glitzy cameras those
fancy lens a stupid press card
pictorial pretense those hallowed
heads of camera club photographers
pompous pedantic sitting on a fence
one picture similar to another picture
same light same ambiance same
sequence ,, when will you grow up
when will you change  do say
something in your defense ,,

I saw a photo judging in my camera club and though I am no more into salon or competitive photography the entries were horrendous , and I felt sorry for one of my dear friend a curator of a prestigious art gallery made to suffer this ignominy of finding a good print among all badly shot created prints ,, and if you live in a jar of a camera club .. without widening your horizon .. mind you Facebook does not widen your knowledge of photography snapshots dont take you anywhere but into the dark ages ,, my benchmark for good photography as photography has always been Flickr ,, also depends on who you are following and those who are following you ..

I am a camera club product I have nothing against camera clubs but horrendous display of bad art work.. I mean is this how you want progeny to remember you ..the same guy gets the first prize is this photography ,, are you helpless to give birth to new innovative photographers ,, you cant change ,, you were never capable of changing .. to change you must change from within,,

You must create without copying ,, and come out of the closet living with dead masters is not going to give soul or poetry to your photography ,, for once become your own master .

With malice to none .

Come Feel The Fragrance Of Devo Atithi Bhava At Banganga

Once Upon A Time At Banganga

to appease their forefathers
souls they come silently
without slogans without
music or drums tonsure
their hair give pindi dan
into the waters of banganga
they jump ..the lord lives up
to their hope each one
he welcomes north indian
migrants in mumbai buying
puja materials from the
maharashtrians amity
as it blossoms ..
jai jai maharashtra majha
beauty bounty awesome

Pitru Paksha 2015 Banganga Mumbai

Pitru Paksha 2015 Banganga Mumbai

Tuesday, October 13, 2015

Jai Shree Ram ,,, Pitru Paksha 2015 My New Series Tribute To Hindu Muslim Amity

I was clearing my backlog of images videos and now I start my new series at Flickr Pitru Paksha an iconic Hindu feast that I have been shooting at Banganga Walkeshwar since 15 years or more .

This time I was accompanied by a friend Ravi Shankar an agriculture economist who respectfully calls me Guru and I tell him we are all Gurus we need to share our light our knowledge with everyone ,,,its light that gets rid of darkness .

My series starts with the barbers and religious tonsure than the beggars and finally the Banganga tank and thanks to the local leaders BMC there is less pollution of this heritage tank where the puja items were immersed ,,

The fishes are happy and the ducks and swans are happy to with Man.

About Pitru Paksha

Pitru Paksha (Sanskrit: पितृ पक्ष), also spelt as Pitru paksha or Pitri paksha, (literally "fortnight of the ancestors") is a 16–lunar day period in Hindu calendar when Hindus pay homage to their ancestor (Pitrs), especially through food offerings. The period is also known as Pitru Pakshya, Pitri Pokkho, Sola Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya Paksha and Apara paksha,Tarpan.[2][3][4]

Pitru Paksha is considered by Hindus to be inauspicious, given the death rite performed during the ceremony, known as Shraddha or tarpan. In southern and western India, it falls in the Hindu lunar month of Bhadrapada (September–October), beginning with the full moon day (Purnima) that occurs immediately after the Ganesh festival and ending with the new moon day known as Sarvapitri amavasya, Pitru Amavasya, Peddala Amavasya, Mahalaya amavasya or simply Mahalaya. Most years, the autumnal equinox falls within this period, i.e. the Sun transitions from the northern to the southern hemisphere during this period. In North India and Nepal, this period corresponds to the dark fortnight of the month Ashvin, instead of Bhadrapada.

According to Hinduism, the souls of three preceding generations of one's ancestor reside in Pitru–loka, a realm between heaven and earth. This realm is governed by Yama, the god of death, who takes the soul of a dying man from earth to Pitru–loka. When a person of the next generation dies, the first generation shifts to heaven and unites with God, so Shraddha offerings are not given. Thus, only the three generations in Pitru–loka are given Shraddha rites, in which Yama plays a significant role.[5] According to the sacred Hindu epics (Itihasa), at the beginning of Pitru Paksha, the sun enters the zodiac sign of Libra (Thula). Coinciding with this moment, it is believed that the spirits leave Pitru–loka and reside in their descendants' homes for a month until the sun enters the next zodiac—Scorpio (Vrichchhika)—and there is a full moon. Hindus are expected to propitiate the ancestors in the first half, during the dark fortnight.[3][6]

When Karna, the brave warrior whose acts of giving are legendary even today, died in the epic Mahabharata war, his soul transcended to heaven, where he was offered gold and jewels as food. However, Karna needed real food to eat and asked Indra, the lord of heaven, the reason for serving gold as food. Indra told Karna that he had donated gold all his life, but had never donated food to his ancestors in Shraddha. Karna said that since he was unaware of his ancestors, he never donated anything in their memory. To make amends, Karna was permitted to return to earth for a 15–day period, so that he could perform Shraddha and donate food and water in their memory. This period is now known as Pitru Paksha.[7] In some legends, Yama replaces Indra.[8]

 Tarpan is being done at the Jagannath Ghat, Kolkata.
The Tarpan (Offering holy water to the manes) is being done at the Jagannath Ghat, Kolkata, at end of the Pitru Paksha.
The performance of Shraddha by a son during Pitru Paksha is regarded as compulsory by Hindus, to ensure that the soul of the ancestor goes to heaven. In this context, the scripture Garuda Purana says, "there is no salvation for a man without a son".[5] The scriptures preach that a householder should propitiate ancestors (Pitris), along with the gods (devas), ghosts (bhutas) and guests.[2] The scripture Markandeya Purana says that if the ancestors are content with the shraddhas, they will bestow health, wealth, knowledge and longevity, and ultimately heaven and salvation (moksha) upon the performer.[3]

The performance of Sarvapitri amavasya rites can also compensate a forgotten or neglected annual Shraddha ceremony, which should ideally coincide with the death anniversary of the deceased. According to Sharma, the ceremony is central to the concept of lineages. Shraddha involves oblations to three preceding generations—by reciting their names—as well as to the mythical lineage ancestor (gotra). A person thus gets to know the names of six generations (three preceding generation, his own and two succeeding generations—his sons and grandsons) in his life, reaffirming lineage ties.[2] Anthropologist Usha Menon of Drexel University presents a similar idea—that Pitru Paksha emphasises the fact that the ancestors and the current generation and their next unborn generation are connected by blood ties. The current generation repays their debt to the ancestors in the Pitru Paksha. This debt is considered of utmost importance along with a person's debt to his gurus and his parents.[9]

Rules of Shraddha[edit]
When and where[edit]
The shraddha is performed on the specific lunar day during the Pitru Paksha, when the ancestor—usually a parent or paternal grandparent—died. There are exceptions to the lunar day rule; special days are allotted for people who died in a particular manner or had a certain status in life. Chautha Bharani and Bharani Panchami, the fourth and fifth lunar day respectively, are allocated for people deceased in the past year. Avidhava navami ("Unwidowed ninth"), the ninth lunar day, is for married women who died before their husband. Widowers invite Brahmin women as guests for their wife's shraddha. The twelfth lunar day is for children and ascetics who had renounced the worldly pleasures. The fourteenth day is known as Ghata chaturdashi or Ghayala chaturdashi, and is reserved for those people killed by arms, in war or suffered a violent death.[3][5]

Mahalaya marks the formal beginning of the Durga Puja festival
Sarvapitri amavasya (all fathers' new moon day) is intended for all ancestors, irrespective of the lunar day they died. It is the most important day of the Pitru Paksha.[3][5] Those who have forgotten to perform shraddha can do so on this day. A shraddha ritual performed on this day is considered as fruitful as one conducted in the holy city of Gaya, which is seen as a special place to perform the rite, and hosts a fair during the Pitru Paksha period.[4] In Bengal, Mahalaya (Bengali: মহালয়া) marks the beginning of Durga Puja festivities. Mahalaya is the day when the goddess Durga is believed to have descended to Earth. Bengali people traditionally wake up early in the morning at around 4 am on Mahalaya to listens to the enchanting voice of the late Birendra Krishna Bhadra and the late Pankaj Kumar Mullick on All India Radio as they recite hymns from the scriptures from the Devi Mahatmyam (Chandi Path). This program has almost become synonymous with Mahalaya for almost nearly six decades now. [10] Offerings to the ancestors are made in homes and at puja mandaps (temporary shrines).[11][12] Matamaha ("Mother's father") or Dauhitra ("Daughter's son") also marks the first day of the month of Ashvin and beginning of the bright fortnight. It is assigned for the grandson of the deceased maternal grandfather.[3][5]

The ritual is also held on the death anniversary of the ancestor. The shraddha is performed only at noon, usually on the bank of a river or lake or at one's own house.[5] Families may also make a pilgrimage to places like Varanasi and Gaya to perform Shraddha.[3][4][13] An annual Pitri Paksha Mela at Gaya on the banks of River Falgu. Pilgrims from all corners of the country visit Gaya for offering Pinda to their Ancestors. According to Bihar Tourism Department estimates, some 5,00,000 to 75,00,000 pilgrims arrive in the Gaya city during the Pitri Paksha Mela every year.[14]

Who and for whom[edit]
It is essential that Shraddha be performed by the son—usually the eldest—or male relative of the paternal branch of the family, limited to the preceding three generations. However, on Sarvapitri amavasya or matamaha, the daughter's son can offer Shraddha for the maternal side of his family if a male heir is absent in his mother's family.[3][5] Some castes only perform the shraddha for one generation.[3] Prior to performing the rite, the male should have experienced a sacred thread ceremony. Since the ceremony is considered inauspicious due to its association with death, the royal family of Kutch, the king or heirs of the throne are prohibited from conducting Shraddha.[5]

The food offerings made to the ancestors are usually cooked in silver or copper vessels and typically placed on a banana leaf or cups made of dried leaves. The food must include Kheer (a type of sweet rice and milk), lapsi (a sweet porridge made of wheat grains), rice, dal (lentils), the vegetable of spring bean (guar) and a yellow gourd (pumpkin).[5]

Rites of Shraddha[edit]
 Pinda Daan is being done at the Jagannath Ghat, Kolkata.
Pinda Daan is being done at the Jagannath Ghat, Kolkata, at end of the Pitru Paksha.
The male who performs the shraddha should take a purifying bath beforehand and is expected to wear a dhoti. He wears a ring of kush grass. Then the ancestors are invoked to reside in the ring. The shraddha is usually performed bare-chested, as the position of the sacred thread worn by him needs to be changed multiple times during the ceremony. The shraddha involves pinda-daan, which is an offering to the ancestors of pindas (cooked rice and barley flour balls mixed with ghee and black sesame seeds), accompanying the release of water from the hand. It is followed by the worship of Vishnu in form of the darbha grass, a gold image or Shaligram stone and Yama. The food offering is then made, cooked especially for the ceremony on the roof. The offering is considered to be accepted if a crow arrives and devours the food; the bird is believed to be a messenger from Yama or the spirit of the ancestors.[3] A cow and a dog are also fed, and Brahmin priests are also offered food. Once the ancestors (crow) and Brahmins have eaten, the family members can begin lunch

Happy Navratri ,,, Welcome Ma Durge

Navaratri is a festival dedicated to the worship of the Hindu deity Durga. The word Navaratri means 'nine nights' in Sanskrit, nava meaning nine and ratri meaning nights.[2] During these nine nights and ten days, nine forms of Devi are worshipped. The tenth day is commonly referred to as Vijayadashami or "Dussehra" (also spelled Dasara). Navaratri is an important major festival and is celebrated all over India and Nepal. Diwali the festival of lights is celebrated twenty days after Dasara. Though there are total five types of Navaratri that come in a year, but Sharad Navaratri is the most popular one. Hence, the term Navaratri is being used for Sharada Navaratri here.[3]

The beginning of spring and the beginning of autumn are considered to be important junctions of climatic and solar influences. These two periods are taken as sacred opportunities for the worship of the Divine Mother Durga. The dates of the festival are determined according to the lunar calendar. on which each women follow tradition to wear nine colours of dress on Navaratri.

Navaratri represents a celebration of the Goddess Amba, (the Power).

Navaratri or Navadurga Parva happens to be the most auspicious and unique period of devotional sadhanas and worship of Shakti (the sublime, ultimate, absolute creative energy) of the Divine conceptualized as the Mother Goddess-Durga, whose worship dates back to prehistoric times before the dawn of the Vedic age.

A whole chapter in the tenth mandal of the Rigveda addresses the devotional sadhanas of Shakti. The "Devi Sukta" and "Isha Sukta" of the Rigveda and "Ratri Sukta" of the Samveda similarly sing paeans of praise of sadhanas of Shakti. In fact, before the beginning of the legendary war between the Pandavas and Kauravas in the Mahabharata – a foundational Sanskrit epic in the Hindu tradition – Lord Krishna worshipped Durga, the Goddess of Shakti, for the victory of the Pandvas.

Lord Brahma is cited in the Markandey Purana as mentioning to Rishi Markandey that the first incarnation of Shakti was as Shailputri. Further incarnations of the Divine Mother are: Brahmcharñi, Chandraghanta, Kushmanda, Skandamata, Katyayani, Kalratri, Mahagauri and Siddhidatri in that order. These nine manifestations of Shakti, are worshipped as "Nava-Durga". The fifth chapter of the Rudra Sanhita of Shiva Purana also vividly describes the various Divine Emanations of Durga.

Since the Vedic Age of the Rishies, the devotional practices recommended during Navaratri are primarily those of Gayatri Anushthana.

In the Vedic Age of the Indian Culture, the religious philosophy and devotional practices were focused towards true knowledge and ultimate realization of the supreme power of Gayatri (Bram Shakti). The Vedas were the basis of all streams of spirituality and science those days. Gayatri has been the source of the divine powers of the gods and goddesses in the heavens and their angelic manifestations and incarnations. Gayatri sadhana was also paramount in the higher level spiritual endeavors of the yogis and tapaswis. Gayatri Mantra was the core-focus of daily practice of sandhya-vandan (meditation and devotional worship) for everyone. As guided by the rishis, specific sadhanas and upasanas of the Gayatri Mantra were sincerely practiced during the festival period of Navaratri by every aspirant of spiritual enlightenment.

The Navaratri commences on the first day (pratipada) of the bright fortnight of the lunar month of Ashwin. The festival is celebrated for nine nights once every year during the beginning of October, although as the dates of the festival are determined according to the lunar calendar, the festival may be held for a day more or a day less.

Navaratri Day 1 Pratipada : Ghatasthapana Shailputri Pujan

Navaratri Day 2 Dwitiya : Chandra Darshan Brahmacharini Pujan

Navaratri Day 3 Tritiya : Sindoor Tritiya Chandraghanta Pujan

Navaratri Day 4 chaturthi : Varad Vinayaka Chauth

Navaratri Day 5 Panchami : Upang Lalita Vrat Skandamata Pujan

Navaratri Day 6 Shashthi : Saraswati Awahan Katyayani Pujan

Navaratri Day 7 Saptami : Saraswati Puja Kalaratri Pujan

Navaratri Day 8 Ashtami : Durga Ashtami Mahagauri Pujan Sandhi Puja, Maha Ashtami

Navaratri Day 9 Navami : Ayudha Puja Durga Visarjan, Maha Navami

On Sunday goddess wears red/maroon. On Monday goddess wears white or cream. On Tuesday goddess wears orange. On Wednesday goddess wears green. On Thursday goddess wears yellow. On Friday goddess wears silver. On Saturday goddess wears blue or peacock.

Navaratri is celebrated Four times a year. They are Vasanta Navaratri, Ashadha Navaratri, the Sharad Navaratri, and the Paush/Magha Navaratri. Of these, the Sharad Navaratri of the month of Puratashi and the Vasanta Navaratri of the Vasanta kala are the most important.Other two are observed only by shaktas only

Vasanta Navaratri: Vasanta Navaratri, it's nine days are dedicated to the nine forms of Shakti (Mother Goddess) in the month of Chaitra (March–April) and is observed during the Shukla Paksha (waxing phase of moon) of Chaitra. The beginning of this Navaratri also marks the start of the new year as per the Hindu mythological lunar calendar (Vikrami Samvat).
Ashad Navaratri  : Gupta Navaratri, also referred as Ashadha or Gayatri or Shakambhari Navaratri, is nine days dedicated to the nine forms of Shakti (Mother Goddess) in the month of Ashadha (June–July). Gupta Navaratri is observed during the Ashadha Shukla Paksha (waxing phase of moon). This is mostly observed by shaktas only
Sharad Navaratri: This is the most important of the Navaratris. It is simply called Maha Navaratri (the Great Navaratri) and is celebrated in the 'pratipada' (first day) of the bright fortnight of the lunar month of Ashvin. Also known as Sharad Navaratri, as it is celebrated during Sharad (beginning of winter, September–October).
Pausha/Magha Navaratri: Pausha Navaratri, also referred as Shakambari Navaratri, is eight days dedicated to the nine forms of Shakti (Mother Goddess) in the month of (December–January). Paush Navaratri is observed during the Pausha Shukla Paksha (waxing phase of moon). Shakambhari Purnima is the last day in the 8-day long holiday of Shakambari Navaratri. Most Navaratri begins on Shukla Pratipada except for Shakambari Navaratri, which begins on Ashtami and ends on Purnima in Paush month.[4]

The Story of Vasanta Navaratri[edit]
In days long gone by, King Dooshibago was killed by a lion when he went out hunting. Preparations were made to crown the prince Sudarsana. But, King Yudhajit of Ujjain, the father of Queen Lilavati, and King Virasena of Kalinga, the father of Queen Manorama, were each desirous of securing the Kosala throne for their respective grandsons. They fought with each other. King Virasena was killed in the battle. Manorama fled to the forest with Prince Sudarsana and a eunuch. They took refuge in the hermitage of Rishi Bharadwaja.

The victor, King Yudhajit, thereupon crowned his grandson, Satrujit, at Ayodhya, the capital of Kosala. He then went out in search of Manorama and her son. The Rishi said that he would not give up those who had sought protection under him. Yudhajit became furious. He wanted to attack the Rishi. But, his minister told him about the truth of the Rishi's statement. Yudhajit returned to his capital.

Fortune smiled on Prince Sudarsana. A hermit's son came one day and called the eunuch by his Sanskrit name Kleeba. The prince caught the first syllable Kli and began to pronounce it as Kleem. This syllable happened to be a powerful, sacred Mantra. It is the Bija Akshara (root syllable) of the Divine Mother. The Prince obtained peace of mind and the Grace of the Divine Mother by the repeated utterance of this syllable. Devi appeared to him, blessed him and granted him divine weapons and an inexhaustible quiver.

The emissaries of the king of Benares passed through the Ashram of the Rishi and, when they saw the noble prince Sudarsana, they recommended him to Princess Sashikala, the daughter of the king of Benares.

The ceremony at which the princess was to choose her spouse was arranged. Sashikala at once chose Sudarsana. They were duly wedded. King Yudhajit, who had been present at the function, began to fight with the king of Benares. Devis helped Sudarsana and his father-in-law. Yudhajit mocked Her, upon which Devi promptly reduced Yudhajit and his army to ashes.

Thus Sudarsana, with his wife and his father-in-law, praised Devi. She was highly pleased and ordered them to worship her with havan and other means during the Vasanta Navarathri. Then she disappeared.

Prince Sudarsana and Sashikala returned to the Ashram of Rishi Bharadwaja. The great Rishi blessed them and crowned Sudarsana as the king of Kosala. Sudarsana and Sashikala and the king of Benares implicitly carried out the commands of the Divine Mother and performed worship in a splendid manner during the Vasanta Navarathri.

Sudarsana's descendants Sri Rama and Lakshmana also performed worship of Devi during the Sharad Navarathri and were blessed with Her assistance in the recovery of Sita.

According to the Krittibas Ramayana, Rama invoked the goddess Durga in his epic battle against Ravana. Although Goddess Durga was traditionally worshipped in the late spring, due to contingencies of battle, Lord Rama had to invoke her in the form of astam (eighth) Mahavidya (Maa Bagla) in the autumn and thus is known as akaal bodhan (invoking out of scheduled time). This autumnal ritual was different from the conventional Durga Puja, which is usually celebrated in the springtime. So, this Puja is also known as 'akal-bodhan' or out-of-season ('akal') worship ('bodhan'). This Rama's date for the Navaratri puja has now gained ascendancy and culminates with Dusherra in North India on the following day.

Shardiya Navaratri[edit]
Shardiya Navaratri is the most popular and significant Navaratri of all Navaratris. That's why Shardiya Navaratri is also known as Maha Navaratri.

It falls in lunar month Ashwin during Sharad Ritu. The name Shardiya Navaratri has been taken from Sharad Ritu. All nine days during Navaratri are dedicated to nine forms of Goddess Shakti. Shardiya Navaratri falls in the month of September or October. The nine days festivity culminates on tenth day with Dussehra or Vijayadashami.

Forms of Shakti[edit]
Main article: Navadurga
Nine forms of Shakti are worshipped during the Navaratris. The Devis worshipped depend on the tradition of the region.

Amba or Jagadamba, Mother of the universe
Annapoorna devi, The one who bestows grains (anna) in plenty (purna: used as subjective)
Sarvamangala, The one who gives happiness (mangal) to all (sarva)
Chandika or Chandi
A photo of the Srikanta Datta Narasimharaja Wadiyar, scion of the Wodeyar dynasty
Late Srikanta Datta Wadiyar, Former Maharaja of Mysore inaugurating first day of Mysore Dasara
The Sharad Navratri commences on the first day (pratipada) of the bright fortnight of the lunar month of Ashvin. The festival is celebrated for nine nights once every year during the beginning of October, although as the dates of the festival are determined according to the lunar calendar, the festival may be held for a day more or a day less.

Navaratri is celebrated in different ways throughout India. In North India, all three Navaratris are celebrated with much fervor by fasting on all nine days and worshiping the Mother Goddess in her different forms. The Chaitra Navaratri culminates in Ram Navami and the Sharad Navaratri culminates in Durga Puja and Dussehra. The Dussehra of Kullu in Himachal Pradesh is particularly famous in the North. Navaratri festival in Gujarat is one of the main festivals. Garba is a dance which people perform on all nine nights, after the Durga Pooja, in groups accompanied by live orchestra or devotional songs.

The last four days of Sharad Navaratri take on a particularly dramatic form in the state of West Bengal in eastern India where they are celebrated as Durga Puja.[5] This is the biggest festival of the year in this state. Exquisitely crafted and decorated life-size clay idols of the Goddess Durga depicting her slaying the demon Mahishasura are set up in temples and other places. These idols are then worshiped for five days and immersed in the river on the fifth day.

In the Punjab, Navaratri is known as Navratras or Naratey where the first seven days are for fasting. On the eighth day or Ashtami, devotees break their fasts by calling young girls home and these girls are treated as the goddess herself. They are called "Kanjak Devis". People ceremonially wash their feet, worship them and then offer food to the "girl-goddesses" giving them the traditional puri, halwa and chana to eat along with bangles and the red chunnis (scarves) to wear with a token amount of money as "shagun". The ninth day is then called Navami which means literally the ninth day of this holy and pious period.[6]

Another prevalent practice is of sowing pulses, cereals and other seeds on the first day of this festival in a pot which is watered for nine days at the end of which the seeds sprout. This pot is worshipped throughout the nine days. This custom is also indicative of fertility worship and is known as "Khetri". The barley grains planted on the first day of Navaratras, in the puja room of the house, are submerged in water after saying prayers on Dussehra. The sowing and reaping of barley is symbolic of the "first fruit".[6]

In Western India, particularly in the state of Gujarat and Mumbai, Navaratri is celebrated with the famous Garba and Dandiya-Raas dance. Since the past few years, the Government of Gujarat has been organising the "Navaratri Festival Celebrations" on a regular basis for the nine days of Navaratri Festival in Gujarat. People from all over Gujarat and even abroad come to participate in the nine-day celebration. It is also popular throughout India and among Indian communities around the world including the UK, Canada, Malaysia, Singapore and USA.

In the temples of Goa,on the first day of the seventh month of the Hindu calendar Ashwin, in some temples, a copper pitcher is installed surrounded by clay in which nine varieties of food grains are sown inside the sanctum sanctorum of the temple. All the nine nights are celebrated by presenting devotional songs, and through religious discourses. Later in the night the idol of the goddess is put in a specially-decorated colourful swing and for nine nights, this swing is being swung to the tune of temple music (called as ranavadya) by devotees who throng in large numbers to participate in the festival.[7]

In Maharashtra, on the first day of month of Ashwin, Ghatasthapana is celebrated. An earthen pot is filled with water surrounded by clay in which foodgrains are sown and are allowed to sprout for nine days. Five stems of jowar are also placed over the pot. This arrangement is called the "Ghat". The ladies worship the pot for nine days by offering rituals and a garland of flowers, leaves, fruits, dry-fruits, etc. with a naivedya, and water is offered in order to get the seeds sprouted. Some families also celebrate Kaali pujan on days 1 and 2, Laxmi pujan on days 3, 4, 5 and Saraswati pujan on days 6, 7, 8, 9 along with Ghatasthapana. On the eighth day, a "Yajna" or "Hom" is performed in the name of Goddess Durga. On ninth day, the Ghat pujan is done and the Ghat is dissolved after taking off the sprouted leaves of the grains. In many families, a woman from Matang community is called and offered food and blessings are sought from her. She is considered as a form of the Goddess "Matangi". This process is called "पात्रं भरणे" in Marathi. On the occasion of Dasara or Vijayadashmi, the men go to the forest or farm and bring the leaves of the tree Apta. They worship iron in the form of utensils, weapons, etc. The iron equipments are washed and offered leaves of Apta called gold or "sona" and also leaves of the grains which were sprouted. On this day, a process called Vidyarambhan meaning beginning of learning takes place when small children are to write first alphabet.

In Tamil Nadu, people set up steps and place idols on them. This is known as golu. Photos of typical golu displayed in Tamil Nadu style can be found here.In the evening women in neighborhood invite each other to visit their homes to view Kolu displays, they exchange gifts and sweets. Kuthuvilakku lamp is lit, in the middle of a decorated Rangoli, devotional hymns and shlokas are chanted. After performing the puja, the food items that have been prepared are offered to the Goddess and then to the guests.On the 9th day Saraswati Puja, special pujas are offered to Goddess Saraswati, the divine source of wisdom and enlightenment. Books and musical instruments are placed in the puja and worshipped as a source of knowledge Ayudha Pooja , the worship of vehicles and instruments is the most important festival celebrated in tamilnadu on Navami day .Almost all mechanic shops , heavy industries celebrate ayudha Pooja to thank their instruments On this day one can see autos decorated with banana leaves and pumpkins broken.The 10th day, Vijayadasami – is the most auspicious day of all. It was the day on which evil was finally destroyed by good. It marks a new and prosperous beginning. New ventures started on this day are believed to flourish and bring prosperity. Kids often start tutoring on this day to have a head start in their education.

In the evening of "Vijayadasami", any one doll from the "Kolu" is symbolically put to sleep and the Kalasa is moved a bit towards North to mark the end of that year's Navaratri Kolu. Prayers are offered to thank God for the successful completion of that year's Kolu and with a hope of a successful one the next year. Then the Kolu is dismantled and packed up for the next year.

In temples of Tamil Nadu, navaratri is celebrated for the Devi's dwelling in each temples, The utsava murthy is decorated and vedic offerings are performed, Following by Chandi homa. Popular Tamil Nadu temples celebrating navaratri are Madurai madurai meenakshi temple, Chennai kapaleeswarar temple, Kulasekarapattinam devi temple, Perambur Ellaiamman temple, Srirangam Ranganathan temple.

In Karnataka, Ayudha Puja, the ninth day of Mysore Dasara, is celebrated with the worship of implements used in daily life such as computers, books, vehicles, or kitchen tools. The effort to see the divine in the tools and objects one uses in daily life is central to this celebration, so it includes all tools that help one earn one's livelihood. Knowledge workers go for books, pen or computers, farmers go for the plough and other agricultural tools, machinery for industrialists and cars/buses/trucks for the transportation workers—all are decorated with flowers and worshiped on this day invoking God's blessing for success in coming years. It is believed that any new venture such as starting of business or purchasing of new household items on this day is bound to bring success and prosperity.

Mysore is well known for the festivities that take place during the period of Dasara, the state festival of Karnataka. The Dasara festivities, which are celebrated over a ten-day period, it made official festival of the state by King Raja Wodeyar I in 1610.[8] On the ninth day of Dasara, called Mahanavami,[9] the royal sword is worshipped and is taken on a procession of decorated elephants, camels and horses.[8] On the tenth day, called Vijayadashami, the traditional Dasara procession (locally known as Jumboo Savari) is held on the streets of Mysore. An image of the Goddess Chamundeshwari is placed on a golden howdah on the back of a decorated elephant and taken on a procession, accompanied by tableaux, dance groups, music bands, decorated elephants, horses and camels.[8] The procession starts from the Mysore Palace and culminates at a place called Bannimantapa, where the banni tree (Prosopis spicigera) is worshipped.[8] The Dasara festivities culminate on the night of Vijayadashami with a torchlight parade, known locally as Panjina Kavayatthu.[8]

In Kerala and in some parts of Karnataka three days: Ashtami, Navami, and Vijaya Dashami of Sharad Navarathri are celebrated as Sarasvati Puja in which books are worshiped. The books are placed for Puja on the Ashtami day in own houses, traditional nursery schools, or in temples. On Vijaya Dashami day, the books are ceremoniously taken out for reading and writing after worshiping Sarasvati. Vijaya Dashami day is considered auspicious for initiating the children into writing and reading, which is called Vidyarambham. Tens of thousands of children are initiated into the world of letters on this day in Kerala.

In Telangana region of Andhra Pradesh, people celebrate Bathukamma festival over a period of nine days. It is a kind of navaratri celebration.

Here Navaratri is divided into sets of three days to adore three different aspects of the supreme goddess or goddesses.

Effigy of Ravana being burnt
First three days: The goddess is separated a spiritual force called Durga also known as Kali in order to destroy all our evil and grant boons.

Second three days: The Mother is adored as a giver of spiritual wealth, Lakshmi, who is considered to have the power of bestowing on her devotees inexhaustible wealth, as she is the goddess of wealth.

Last three days:

Effigy of Ravana being burnt
See also: Kanya Puja
The final set of three days is spent in worshiping the goddess of wisdom, Saraswati. In order to have all-round success in life, believers seek the blessings of all three aspects of the divine femininity, hence the nine nights of worship.

Eighth day is traditionally Durgashtami which is big in Bengal and Bihar.

In some parts of South India, Saraswati puja is performed on the 9th day. Ayudha Puja is conducted in many parts of South India on the Mahanavami (Ninth) day with much fanfare. Weapons, agricultural implements, all kinds of tools, equipments, machinery and automobiles are decorated and worshipped on this day along with the worship of Goddess. The work starts afresh from the next day, i.e. the 10th day which is celebrated as 'Vijaya Dashami'. Many teachers/Schools in south India start teaching Kindergarten children from that day onwards.

In North India, as the culmination of the Ramlila which is enacted ceremoniously during Dussehra, the effigies of Ravana, Kumbhakarna, and Meghanada are burnt to celebrate the victory of good (Rama) over evil forces on the 'Vijaya Dashami' day.

During Navaratri, some devotees of Durga observe a fast and prayers are offered for the protection of health and prosperity. Devotees avoid meat, alcoholic drinks, grains, wheat and onion during this fast. Grains are usually avoided since it is believed that during the period of Navaratri and seasonal change, grains attract and absorb lots of negative energies[10] from the surrounding and therefore there is a need to avoid eating anything which are produced from grains for the purification of Navaratri to be successful. Navaratri is also a period of introspection and purification, and is traditionally an auspicious and religious time for starting new ventures.

During this vowed religious observance, a pot is installed (ghatasthapana) at a sanctified place at home. A lamp is kept lit in the pot for nine days. The pot symbolises the universe. The uninterrupted lit lamp is the medium through which we worship the effulgent Adishakti, i.e. Sree Durgadevi. During Navaratri, the principle of Sree Durgadevi is more active in the atmosphere.

Navaratri is celebrated in a large number of Indian communities. The mother goddess is said to appear in 9 forms, and each one is worshiped for a day. These nine forms signify various traits that the goddess influences us with. The Devi Mahatmya and other texts invoking the Goddess who vanquished demons are cited.

During the eight or ninth day, Kanya Puja, pre-pubescent girls are ceremonially worshipped.

Animal Sacrifice[edit]
Animals are sacrificed during Sharad Navratri in many parts of India , mainly at temples of Goddesses such as Bhavani or Kali.

A book published 1871 by Pratápachandra Ghosha gives full description of the rituals involved in animal sacrifice during Durga Puja [11]

A male buffalo calf about to be sacrificed by a priest in the Durga Puja festival.
The Rajput of Rajasthan offer a sacrifice of buffalo or goat to the their family Goddess ( Kuldevta) during the festival of Navaratri.[12] The ritual requires slaying of the animal with a single stroke. In the past this ritual was considered a rite of passage for young men. The ritual is directed by a Brahmin priest.[13] Many erstwhile Royal families from different parts India also offer animal sacrifice to the Goddess during Sharad Navratri.

Animal sacrifice is practiced in some Eastern states of India and Nepal during Navratri.,[14][15] The Hindu temples in Assam and West Bengal in India and Nepal where this takes place involves slaying of goats, chickens and sometimes male Water buffalos .,.[14][16] A number Tantric Puranas specify the ritual for how the animal should be slayed. In Bengal, a priest recites the Gayatri Mantra in the ear of animal to be sacrificed, in order to free the animal from the cycle of life and death.[17] In Orissa, animal sacrifice is offered to Durga in the form of Chandi during Durga Puja ,.[14][18]

At the Jagannath temple in Puri, Orissa, Rams are sacrificed to the Goddess Bimla during the eighth and ninth day of the autumn festival.[19][20]

Ye sadiyon se be-khauf sehmi si galiyaan Ye masli hui adh-khili zard kaliyaan

This song is from the movie Pyasa from Gurudutt. Lyrics are from Sahir Ludhiyanvi

--------------Jinhe naaz hai hind par woh kahan hai----------------------

Ye kooche ye nilaam ghar dilkashi ke
Ye lut-te huwe karvaan zindagi ke
Kahan hai, kahan hai muhafiz khudi ke
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Ye purpaich galiyan, ye badnaam bazaar
Ye gumnaam raahi, ye sikkon ki jhankaar
Ye ismat ke sauday, ye saudon pe taqraar
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Ye sadiyon se be-khauf sehmi si galiyaan
Ye masli hui adh-khili zard kaliyaan
Ye bikti hui khokli rang-raliyaan
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Wo ujle darichon mein payal ki chann chann
Thaki haari saanson pe tablay ki dhan dhan
Ye be-rooh kamron mein khaansi ki than than
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Ye phoolon ke gajre, ye peekon ke cheentay
Ye be-baak nazrein, ye gustaakh fitrein
Ye dhalke badan, aur ye beemar chehre
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Yahan peer bhi aa chuke hain, jawaan bhi
Tan-o-mand bete bhi, abba miya bhi
Ye biwi bhi hai, aur bahen bhi hai Maa bhi
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Madad chaahti hai ye Hawwa ki beti
Yashoda ki hum-jins, Radha ki beti
Payambar ki ummath, Zulekha ki beti
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Zara mulk ke rehbaron ko bulao
Ye kooche ye galiyaan ye manzar dikhao
Jinhe naaz hai hind par unko lao
Jinhe naaz hai Hind par wo kahan hai
Kahan hai, kahan hai, kahan hai

Jai Kali Mata Jo Tujhe Pata Woh Kabhi Nahi Pachtata

Ma Ke Adesh Se Woh Apni Rah Banata ,,