86,529 items / 523,637 views
Pankaj had shot me shooting Moharam with my bandaged head after I had slashed it with a dagger near JJ Hospital Mumbai ..I am posing next to his picture of me.
Monday, August 10, 2009
Shooting the Shia Blogger
Girish Mistry - Unraveling the Mystery of Light
Girish Mistry - Unraveling the Mystery of Light, originally uploaded by firoze shakir photographerno1.
www.shariacademy.com/
I shot pictures at Ganesh Gully and took a short bus trip to come to the other end , I walked barefeet to reach Prabhadevi to see the works of Girish Mistrys students..Luxoculus 2009...
Girish and I go a long way back, he too is one of my Photo Gurus , the best of contemporary times.I made Girish Mistrys wedding clothes in 4 hours , as he had decided to get married and wanted a photographer cum tailor do his clothes.
This was the fastest I had done anyone's marriage clothes I rushed in time with the dress , as the Pandit kept saying , muhrat ka samay ja raha hai,ladke aur unke kapdon ko jaldi bulao...
So this is the crux of our relationship.. Girish me and his wedding clothes..
I attended just a single workshop of Girish on Light and that is it, it struck me like a bolt.. I was ready to shoot the streets of pain.
Girishes students are very brave and the best street photographers , creative and fine art too.
His wife too is a very dynamic photographer ..I can never spell her name right so I shall call her Mrs Girish Mistry..they have one son..who reflects light wherever he goes.
Girish Mistry - Unraveling the Mystery of Light
Girish Mistry - Unraveling the Mystery of Light, originally uploaded by firoze shakir photographerno1.
www.shariacademy.com/
I shot pictures at Ganesh Gully and took a short bus trip to come to the other end , I walked barefeet to reach Prabhadevi to see the works of Girish Mistrys students..Luxoculus 2009...
Girish and I go a long way back, he too is one of my Photo Gurus , the best of contemporary times.I made Girish Mistrys wedding clothes in 4 hours , as he had decided to get married and wanted a photographer cum tailor do his clothes.
This was the fastest I had done anyone's marriage clothes I rushed in time with the dress , as the Pandit kept saying , muhrat ka samay ja raha hai,ladke aur unke kapdon ko jaldi bulao...
So this is the crux of our relationship.. Girish me and his wedding clothes..
I attended just a single workshop of Girish on Light and that is it, it struck me like a bolt.. I was ready to shoot the streets of pain.
Girishes students are very brave and the best street photographers , creative and fine art too.
His wife too is a very dynamic photographer ..I can never spell her name right so I shall call her Mrs Girish Mistry..they have one son..who reflects light wherever he goes.
Food Porn in Mumbai
dabeli on the road
eat or die
food porn
the path to nirvana
in sweet street mumbai
bata wadas samosas bhel
eat till you cry
ragda pattis pani puri
hot cup of chai
fred miller
remembers poona
of days gone by
cafe Leopold
waits for you
chilled Kingfisher beer
fish n chips
bombay ducks
jumbo prawn fry
for dessert
srikand and ras malai
fulfilling you wish
to meet subhash ghai
you will act as james bond
in a multilingual
Bollywood film
Spy v/s Spy
Searching For a Dragon Fly
i dont shoot flowers
i dont shoot insects
however hard i try
home sweet om
searching for a dragonfly
on the solicitous streets
of mumbai
spirituality humanity
that meets my eye
embedded in a camera
as shivas third eye
i dont shoot birds
kissing god and the sky
i dont shoot oceans
rivulets ponds lakes
or rivers running by
i shoot pain
as i see it
on the viewfinder
of my soul
of hopes gone dry
of man woman and child
living on a pig sty
begging for a new dawn
that a few coins wont buy
of the hijras
standing in their graves
when the time comes to die
a torrential tragedy
neither man nor woman
androgynous cry
victory over mind and matter
in a cats eye
dedicated to dragonfly and V my two good friends..
Shooting a Dream
shooting a dream in a bus
40 winks without fuss
the photographer
55 but trying
to be 30 plus
a poetic pause
nothing more
to discuss
man the only
wild animal
to his surroundings
wont adjust
Peace
peace has been snatched
from the hands of our children
a truth my dear friend
this war on the soul
of humanity will
it ever end
its our children
on the borders of hate
to fight
a politicians war
we send
its his ego
not just our country
that they defend
to a new friend
A War Criminal on the Lose
photo courtesy
images.google.com/imgres?imgurl=http://puppethead.com/blo...
that he was mass murderer
a war criminal
your somnolent
conscience did not effect
you are to blame a monster
that you elect
your nation bound
to hypocrisy and silence
its your collective psyche
with a defect
same shit different asshole ..
a flaw that history
will never correct
the greatest weapon
of mass destruction
in effect
liberty equality truth justice ..
values that he wrecked
body bags steel coffins
you need to reflect
on the soul of humanity
a new statue of liberty
blindfolded you must erect
god save America
that let lose a murder suspect
The Chawl and The Marathi Manoos
6,412 items / 522,096 views
the marathi manoos
once had it all
love for the neighbor
sharing and caring
life in a chawl
holi celebrations
fun frolic
the friendly brawl
when someone died
the entire chawl
became a prayer hall
than came the builder mafia
chawls
gave way to towers
now the marathi manoos
a brick in the wall
not even a neigbor
to reach out at all
he falls in the bathroom
has a heart attack
whom can he call
changing times
changing climes
mans downfall
life's plugins
no time to install
Lord Ganesha
86,388 items / 522,004 views
en.wikipedia.org/wiki/Ganesha
Ganesha (Sanskrit: गणेश; IAST: Gaṇeśa; Ganesha.ogg listen (help·info)), also spelled Ganesa or Ganesh and also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most widely worshipped deities in the Hindu pantheon.[5] His image is found throughout India.[6] Hindu sects worship him regardless of affiliations.[7] Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.[8]
Although he is known by many other attributes, Ganesha's elephant head makes him easy to identify.[9] Ganesha is widely revered as the Remover of Obstacles[10] and more generally as Lord of Beginnings and Lord of Obstacles (Vighnesha, Vighneshvara),[11] patron of arts and sciences, and the deva of intellect and wisdom.[12] He is honoured at the beginning of rituals and ceremonies and invoked as Patron of Letters during writing sessions.[13] Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.
Ganesha emerged as a distinct deity in clearly recognizable form in the 4th and 5th centuries CE, during the Gupta Period, although he inherited traits from Vedic and pre-Vedic precursors.[14] His popularity rose quickly, and he was formally included among the five primary deities of Smartism (a Hindu denomination) in the 9th century. A sect of devotees called the Ganapatya, (Sanskrit: गाणपत्य; gāṇapatya), who identified Ganesha as the supreme deity, arose during this period.[15] The principal scriptures dedicated to Ganesha are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa.
Ganesha has many other titles and epithets, including Ganapati and Vigneshvara. The Hindu title of respect Shri (Sanskrit: श्री; śrī, also spelled Sri or Shree) is often added before his name. One popular way Ganesha is worshipped is by chanting a Ganesha Sahasranama, a litany of "a thousand names of Ganesha". Each name in the sahasranama conveys a different meaning and symbolises a different aspect of Ganesha. At least two different versions of the Ganesha Sahasranama exist; one version is drawn from the Ganesha Purana, a Hindu scripture venerating Ganesha.[17]
The name Ganesha is a Sanskrit compound, joining the words gana (Sanskrit: गण; gaṇa), meaning a group, multitude, or categorical system and isha (Sanskrit: ईश; īśa), meaning lord or master.[18] The word gaņa when associated with Ganesha is often taken to refer to the gaņas, a troop of semi-divine beings that form part of the retinue of Shiva (IAST: Śiva).[19] The term more generally means a category, class, community, association, or corporation.[20] Some commentators interpret the name "Lord of the Gaņas" to mean "Lord of Hosts" or "Lord of created categories", such as the elements.[21] Ganapati (Sanskrit: गणपति; gaṇapati), a synonym for Ganesha, is a compound composed of gaṇa, meaning "group", and pati, meaning "ruler" or "lord".[20] The Amarakosha,[22] an early Sanskrit lexicon, lists eight synonyms of Ganesha : Vinayaka, Vighnarāja (equivalent to Vignesha), Dvaimātura (one who has two mothers),[23] Gaṇādhipa (equivalent to Ganapati and Ganesha), Ekadanta (one who has one tusk), Heramba, Lambodara (one who has a pot belly, or, literally, one who has a hanging belly), and Gajanana (IAST: gajānana) ; having the face of an elephant).[24]
Vinayaka (Sanskrit: विनायक; vināyaka) is a common name for Ganesha that appears in the Purāṇas and in Buddhist Tantras.[25] This name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak (aṣṭavināyaka).[26] The names Vignesha (Sanskrit: विघ्नेश; vighneśa) and Vigneshvara (Sanskrit: विघ्नेश्वर; vighneśvara) (Lord of Obstacles)[11] refers to his primary function in Hindu mythology as the creator and remover of obstacles (vighna).[27]
A prominent name for Ganesha in the Tamil language is Pille or Pillaiyar (Little Child).[28] A. K. Narain differentiates these terms by saying that pille means a "child" while pillaiyar means a "noble child". He adds that the words pallu, pella, and pell in the Dravidian family of languages signify "tooth or tusk of an elephant", but more generally "elephant".[29] Anita Raina Thapan notes that the root word pille in the name Pillaiyar might have originally meant "the young of the elephant", because the Pali word pillaka means "a young elephant".[30]
[edit] Iconography
See also: Sritattvanidhi
This statue of Ganesha was created in the Mysore District of Karnataka in the 13th century.
Ganesha is a popular figure in Indian art.[31] Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time.[32] He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down, or engaging in a range of contemporary situations.
Images of Ganesha first appeared in Sri Lanka at least as early as the 2nd century CE. The earliest known image occurs at the Kantaka Cetiya in Mihintale, which is dated to earlier than the 1st century BC. The figure is a one-tusked Gana (dwarf) attended by other ganas, who hold the various attributes of the deity.[33]
Ganesha images were prevalent in many parts of India by the 6th century.[34] The figure shown to the right is typical of Ganesha statuary from 900–1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha's common iconographic elements. A virtually identical statue has been dated between 973–1200 by Paul Martin-Dubost,[35] and another similar statue is dated c. 12th century by Pratapaditya Pal.[36] Ganesha has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature.[37] A more primitive statue in one of the Ellora Caves with this general form has been dated to the 7th century.[38] Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an axe or a goad in one upper arm and a noose in the other upper arm.
The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but rather is turned toward the viewer in a gesture of protection or fearlessness (abhaya mudra).[39] The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme.[40]
[edit] Common attributes
A typical four-armed form. Miniature of Nurpur school (circa 1810).[41]
Ganesha has been represented with the head of an elephant since the early stages of his appearance in Indian art.[42] Puranic myths provide many explanations for how he got his elephant head.[43] One of his popular forms, Heramba-Ganapati, has five elephant heads, and other less-common variations in the number of heads are known.[44] While some texts say that Ganesha was born with an elephant head, in most stories he acquires the head later.[45] The most recurrent motif in these stories is that Ganesha was born with a human head and body and that Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then replaced Ganesha's original head with that of an elephant.[46] Details of the battle and where the replacement head came from vary according to different sources.[47] In another story, when Ganesha was born, his mother, Parvati, showed off her new baby to the other gods. Unfortunately, the god Shani (Saturn), who is said to have the evil eye, looked at him, causing the baby's head to be burned to ashes. The god Vishnu came to the rescue and replaced the missing head with that of an elephant.[48] Another story says that Ganesha was created directly by Shiva's laughter. Because Shiva considered Ganesha too alluring, he gave him the head of an elephant and a protruding belly.[49]
Ganesha's earliest name was Ekadanta (One Tusk), referring to his single whole tusk, the other having been broken off.[50] Some of the earliest images of Ganesha show him holding his broken tusk.[51] The importance of this distinctive feature is reflected in the Mudgala Purana, which states that the name of Ganesha's second incarnation is Ekadanta.[52] Ganesha's protruding belly appears as a distinctive attribute in his earliest statuary, which dates to the Gupta period (fourth to sixth centuries).[53] This feature is so important that, according to the Mudgala Purana, two different incarnations of Ganesha use names based on it: Lambodara (Pot Belly, or, literally, Hanging Belly) and Mahodara (Great Belly).[54] Both names are Sanskrit compounds describing his belly (Sanskrit: udara).[55] The Brahmanda Purana says that Ganesha has the name Lambodara because all the universes (i.e., cosmic eggs; IAST: brahmāṇḍas) of the past, present, and future are present in him.[56] The number of Ganesha's arms varies; his best-known forms have between two and sixteen arms.[57] Many depictions of Ganesha feature four arms, which is mentioned in Puranic sources and codified as a standard form in some iconographic texts.[58] His earliest images had two arms.[59] Forms with 14 and 20 arms appeared in central India during the 9th and 10th centuries.[60] The serpent is a common feature in Ganesha iconography and appears in many forms.[61] According to the Ganesha Purana, Ganesha wrapped the serpent Vāsuki around his neck.[62] Other depictions of snakes include use as a sacred thread (IAST: yajñyopavīta)[63] wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Upon Ganesha's forehead there may be a third eye or the Shaivite sectarian mark (Sanskrit: tilaka), which consists of three horizontal lines.[64] The Ganesha Purana prescribes a tilaka mark as well as a crescent moon on the forehead.[65] A distinct form of Ganesha called Bhalachandra (IAST: bhālacandra; "Moon on the Forehead") includes that iconographic element. Specific colors are associated with certain forms.[66] Many examples of color associations with specific meditation forms are prescribed in the Sritattvanidhi, a treatise on Hindu iconography. For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage).[67] Ekadanta-Ganapati is visualized as blue during meditation on that form.[68]
[edit] Vahanas
The earliest Ganesha images are without a vahana (mount).[69] Of the eight incarnations of Ganesha described in the Mudgala Purana, Ganesha has a mouse in five of them, uses a lion in his incarnation as Vakratunda, a peacock in his incarnation of Vikata, and Shesha, the divine serpent, in his incarnation as Vighnaraja.[70] Of the four incarnations of Ganesha listed in the Ganesha Purana, Mohotkata has a lion, Mayūreśvara has a peacock, Dhumraketu has a horse, and Gajanana has a rat.[71] Jain depictions of Ganesha show his vahana variously as a mouse, elephant, tortoise, ram, or peacock.[72]
Ganesha dancing on his mouse, 11th century, Bengal, musée d'art asiatique de Berlin.
Ganesha is often shown riding on or attended by a mouse or rat.[73] Martin-Dubost says that the rat began to appear as the principal vehicle in sculptures of Ganesha in central and western India during the 7th century; the rat was always placed close to his feet.[74] The mouse as a mount first appears in written sources in the Matsya Purana and later in the Brahmananda Purana and Ganesha Purana, where Ganesha uses it as his vehicle only in his last incarnation.[75] The Ganapati Atharvashirsa includes a meditation verse on Ganesha that describes the mouse appearing on his flag.[76] The names Mūṣakavāhana (mouse-mount) and Ākhuketana (rat-banner) appear in the Ganesha Sahasranama.[77]
The mouse is interpreted in several ways. According to Grimes, "Many, if not most of those who interpret Gaṇapati's mouse, do so negatively; it symbolizes tamoguṇa as well as desire".[78] Along these lines, Michael Wilcockson says it symbolizes those who wish to overcome desires and be less selfish.[79] Krishan notes that the rat is destructive and a menace to crops. The Sanskrit word mūṣaka (mouse) is derived from the root mūṣ (stealing, robbing). It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome. According to this theory, showing Ganesha as master of the rat demonstrates his function as Vigneshvara (Lord of Obstacles) and gives evidence of his possible role as a folk grāmata-devatā (village deity) who later rose to greater prominence.[80] Martin-Dubost notes a view that the rat is a symbol suggesting that Ganesha, like the rat, penetrates even the most secret places.[81]
[edit] Associations
[edit] Obstacles
An elaborate idol of Ganesha at the Kudroli Bhagavathi temple in Mangalore, India. Ganesha is widely worshiped across India as the remover of obstacles.
Ganesha is Vighneshvara or Vighnaraja, the Lord of Obstacles, both of a material and spiritual order.[82] He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in the path of those who need to be checked. Paul Courtright says that "his task in the divine scheme of things, his dharma, is to place and remove obstacles. It is his particular territory, the reason for his creation."[83]
Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time.[27] Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and the emergence of the Ganapatyas, to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter).[84] However, both functions continue to be vital to his character, as Robert Brown explains, "even after the Purāṇic Gaṇeśa is well-defined, in art Gaṇeśa remained predominantly important for his dual role as creator and remover of obstacles, thus having both a negative and a positive aspect".[85]
[edit] Buddhi
Ganesha is considered to be the Lord of letters and learning.[86] In Sanskrit, the word buddhi is a feminine noun that is variously translated as intelligence, wisdom, or intellect.[87] The concept of buddhi is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence. One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya.[88] This name also appears in a list of 21 names at the end of the Ganesha Sahasranama that Ganesha says are especially important.[89] The word priya can mean "fond of", and in a marital context it can mean "lover" or "husband",[90] so the name may mean either "Fond of Intelligence" or "Buddhi's Husband".[91]
[edit] Aum
Ganesha is identified with the Hindu mantra Aum (ॐ, also called Om). The term oṃkārasvarūpa (Aum is his form), when identified with Ganesha, refers to the notion that he personifies the primal sound.[92] The Ganapati Atharvashirsa attests to this association. Chinmayananda translates the relevant passage as follows:
(O Lord Ganapati!) You are (the Trinity) Brahma, Vishnu, and Mahesa. You are Indra. You are fire [Agni] and air [Vāyu]. You are the sun [Sūrya] and the moon [Chandrama]. You are Brahman. You are (the three worlds) Bhuloka [earth], Antariksha-loka [space], and Swargaloka [heaven]. You are Om. (That is to say, You are all this).[93]
Ganesha (Devanagari) Aum jewel
Some devotees see similarities between the shape of Ganesha's body in iconography and the shape of Aum in the Devanāgarī and Tamil scripts.[94]
[edit] First chakra
According to Kundalini yoga, Ganesha resides in the first chakra, called Muladhara (mūlādhāra). Mula means "original, main"; adhara means "base, foundation". The muladhara chakra is the principle on which the manifestation or outward expansion of primordial Divine Force rests.[95] This association is also attested to in the Ganapati Atharvashirsa. Courtright translates this passage as follows: "[O Ganesha,] You continually dwell in the sacral plexus at the base of the spine [mūlādhāra cakra]."[96] Thus, Ganesha has a permanent abode in every being at the Muladhara.[97] Ganesha holds, supports and guides all other chakras, thereby "governing the forces that propel the wheel of life".[95]
[edit] Family and consorts
For more details on this topic, see Consorts of Ganesha.
Shiva and Pārvatī giving a bath to Gaṇeśa. Kangra miniature, 18th century. Allahbad Museum, New Delhi.[98]
Though Ganesha is popularly held to be the son of Shiva and Parvati, the Puranic myths disagree about his birth.[99] He may have been created by Shiva,[100] or by Parvati,[101] or by Shiva and Parvati,[102] or appeared mysteriously and was discovered by Shiva and Parvati.[103]
The family includes his brother Skanda, who is also called Karttikeya, Murugan, and other names.[104] Regional differences dictate the order of their births. In northern India, Skanda is generally said to be the elder, while in the south, Ganesha is considered the first born.[105] Skanda was an important martial deity from about 500 BCE to about 600 CE, when worship of him declined significantly in northern India. As Skanda fell, Ganesha rose. Several stories tell of sibling rivalry between the brothers[106] and may reflect sectarian tensions.[107]
Ganesha's marital status, the subject of considerable scholarly review, varies widely in mythological stories.[108] One pattern of myths identifies Ganesha as an unmarried brahmacārin.[109] This view is common in southern India and parts of northern India.[110] Another pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses, said to be Ganesha's wives.[111] He also may be shown with a single consort or a nameless servant (Sanskrit: daşi).[112] Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati or Śarda (particularly in Maharashtra).[113] He is also associated with the goddess of luck and prosperity, Lakshmi.[114] Another pattern, mainly prevalent in the Bengal region, links Ganesha with the banana tree, Kala Bo.[115]
The Shiva Purana says that Ganesha had two sons: Kşema (prosperity) and Lābha (profit). In northern Indian variants of this story, the sons are often said to be Śubha (auspiciouness) and Lābha.[116] The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma, the goddess of satisfaction. This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity.[117]
[edit] Worship and festivals
Celebrations of Ganesh by the Indian and Sri Lankan Tamil community in Paris, France.
Ganesha is worshipped on many religious and secular occasions; especially at the beginning of ventures such as buying a vehicle or starting a business.[118] K.N. Somayaji says, "there can hardly be a [Hindu] home [in India] which does not house an idol of Ganapati. [..] Ganapati, being the most popular deity in India, is worshipped by almost all castes and in all parts of the country".[119] Devotees believe that if Ganesha is propitiated, he grants success, prosperity and protection against adversity.[120]
Ganesha is a non-sectarian deity, and Hindus of all denominations invoke him at the beginning of prayers, important undertakings, and religious ceremonies.[121] Dancers and musicians, particularly in southern India, begin performances of arts such as the Bharatnatyam dance with a prayer to Ganesha.[122] Mantras such as Om Shri Gaṇeshāya Namah (Om, salutation to the Illustrious Ganesha) are often used. One of the most famous mantras associated with Ganesha is Om Gaṃ Ganapataye Namah (Om, Gaṃ, Salutation to the Lord of Hosts).[123]
Devotees offer Ganesha sweets such as modaka and small sweet balls (laddus).[124] He is often shown carrying a bowl of sweets, called a modakapātra.[125] Because of his identification with the color red, he is often worshipped with red sandalwood paste (raktacandana)[126] or red flowers. Dūrvā grass (Cynodon dactylon) and other materials are also used in his worship.[127]
Festivals associated with Ganesh are "the Vināyaka caturthī (Ganesh Chaturthi) in the śuklapakṣa (the fourth day of the waxing moon) in the month of bhādrapada (August/September) and the Gaṇeśa jayanti (Gaṇeśa's birthday) celebrated on the cathurthī of the kṛṣṇapakṣa (fourth day of the waning moon) in the month of māgha (January/February)."[128]
[edit] Ganesh Chaturthi
Main article: Ganesh Chaturthi
The visarjan ceremony of Lord Ganesh during the Chaturthi festival in Hyderabad, India
An annual festival honours Ganesha for ten days, starting on Ganesh Chaturthi, which typically falls in late August or early September.[129] The festival culminates on the day of Ananta Chaturdashi, when images (murtis) of Ganesha are immersed in the most convenient body of water.[130] In 1893, Lokmanya Tilak transformed this annual Ganesha festival from private family celebrations into a grand public event.[131] He did so "to bridge the gap between the Brahmins and the non-Brahmins and find an appropriate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra.[132] Because of Ganesha's wide appeal as "the god for Everyman", Tilak chose him as a rallying point for Indian protest against British rule.[133] Tilak was the first to install large public images of Ganesha in pavilions, and he established the practice of submerging all the public images on the tenth day.[134] Today, Hindus across India celebrate the Ganapati festival with great fervour, though it is most popular in the state of Maharashtra.[135][136] The festival also assumes huge proportions in Mumbai and in the surrounding belt of Ashtavinayaka temples.
[edit] Temples
Further information: List of Ganapati temples and Ashtavinayak
In Hindu temples, Ganesha is depicted in various ways: as an acolyte or subordinate deity (pãrśva-devatã); as a deity related to the principal deity (parivāra-devatã); or as the principal deity of the temple (pradhāna), treated similarly as the highest gods of the Hindu pantheon.[137] As the god of transitions, he is placed at the doorway of many Hindu temples to keep out the unworthy, which is analogous to his role as Parvati’s doorkeeper.[138] In addition, several shrines are dedicated to Ganesha himself, of which the Ashtavinayak (Sanskrit: अष्टविनायक; aṣṭavināyaka; lit. "eight Ganesha (shrines)") in Maharashtra are particularly well known. Located within a 100-kilometer radius of the city of Pune, each of these eight shrines celebrates a particular form of Ganapati, complete with its own lore and legend; together they "form a mandala, demarking the sacred cosmos of Ganesha".[139]
A statue of Ganesha carved in wood
There are many other important Ganesha temples at the following locations: Wai in Maharashtra; Ujjain in Madhya Pradesh; Jodhpur, Nagaur and Raipur (Pali) in Rajasthan; Baidyanath in Bihar; Baroda, Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi, Uttar Pradesh. Prominent Ganesha temples in southern India include the following: : the Jambukeśvara Temple (Ucchi pillaiyar kottai) at Tiruchirapalli; at Rameshvaram and Suchindram; Karpaka Vinayakar Temple in TamilNadu; Hampi, Kasargod, and Idagunji in Karnataka; and Bhadrachalam in Andhra Pradesh.[140][141]
T. A. Gopinatha notes, “Every village however small has its own image of Vighneśvara (Vigneshvara) with or without a temple to house it in. At entrances of villages and forts, below pīpaḹa trees […], in a niche […] in temples of Viṣṇu (Vishnu) as well as Śiva (Shiva) and also in separate shrines specially constructed in Śiva temples […]; the figure of Vighneśvara is invariably seen.”[142] Ganesha temples have also been built outside of India, including southeast Asia, N
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