I am street photographer a beggar poet .. I shoot misery cavorting with hope I shoot original content. I am Shia Sufi Hindu all in One
Wednesday, October 1, 2014
Atithi Devo Bhav
from wikipedia
Atithi Devo Bhavah [Atithi devo bhavaḥ] (Sanskrit: अतिथि देवो भवः; English: 'The guest is God' or 'Guest become God')[1] is a Sanskrit verse, taken from an ancient Hindu scripture which became part of the "code of conduct" for Hindu society. Atithi devo bhav regards a procedure of the Host-Guest relationship. Recently it has also become the tag line of India's Ministry of Tourism's campaign to improve the treatment of tourists in India.
The mantras are from the Taittiriya Upanishad, Shikshavalli I.20 that says: matrudevo bhava, pitrudevo bhava, acharyadevo bhava, atithidevo bhava. It literally means "be one for whom the Mother is God, be one for whom the Father is God, be one for whom the Teacher is God, be one for whom the guest is God." matrudevah, pitrudevah, acharyadevah, atithidevah are one word each, and each one is a Bahuvrihi samasta-pada.
Tithi in Sanskrit denotes a (calendrical) date. In ancient times, when means of communication were limited and it was not possible for guests to anticipate their date of arrival, atithi (which literally means "without a fixed calendrical time") was coined to depict a visiting person who had no fixed date of arrival or departure. Devah (which, through sandhi or euphonic combination, becomes written/pronounced as devo when followed by certain kinds of consonants) means God and bhava means Be or Is - "be the one for whom the Guest is God".
In Hinduism Personal God is worshipped in a five-step worship; this is known as Panchopchara Puja. The "Shodashopchar Poojan" is more elaborate and formal, and involves 16 steps.
The five steps from the worship become the five formalities to be observed while receiving guests:
Fragrance (Dhupa) - While receiving guests the rooms must have a pleasant fragrance, because this is the first thing that attracts or detracts guests from their visit. A pleasant fragrance will put a guest in good humour.
Lamp (Dipa) - Prior to the electrification of India, a lamp was put between host and guest so that expression and body language would remain clearly visible and therefore no gap would be created between host and guest.
Eatables (Naivedya) - Fruits and sweets made of milk were offered to guests.
Rice (Akshata) - It is a symbol of being undivided. A tilak, often made of a vermilion paste, is put on the forehead[2] and rice grains are placed on it. This is the highest form of welcome in Hindu Indian families.
Flower Offering (Pushpa) - A flower is a gesture of good will. When the guest departs, the flower symbolizes the sweet memories of the visit that stay with them for several days.
Campaign by the Government of India[edit]
India attracts millions of tourists each year, 3.3 million in 2003, but lags far behind other destinations.[1] To attempt to improve the number of tourists travelling to India, the Tourism Department of India started the Atithi devo bhavah campaign with the theme Incredible India.[1]
'Atithi Devo Bhavah' is a social awareness campaign that aimed at providing the inbound tourist a greater sense of being welcomed to the country. The campaign targets the general public, while focusing mainly on the stakeholders of the tourism industry. The campaign provides training and orientation to taxi driver, guides, immigration officers, police and other personnel who interact directly with the tourist.[1]
Unfortunately our custom officials our Immigration have yet to learn this important chapter of our Indianess ..our Police too..
Tuesday, September 30, 2014
Hindu Festivals Like Durga Puja Add To Family Bonding Family Unity And Strength
If you happen to come to Juhu Beach by chance by accident and you dont have to be a photographer , just shoot feel with your eyes , the culmination of Joy among the people who are here with their favorite Deity Goddess Durga or Goddess Ambe Mata Gauri..
The adults men women children faces covered in vermilion , children ecstatic to be on the beach.. some of the very poor ones live in the slums and bringing Durga for Immersion is a great escape for them.
The most joyous community by large are the Bengalis and mind you without disrespecting them some of them I have met hate photographers , are curt impolite and I have seen them at their worst behavior , highly possessive about Durga , and if you have a Muslim name like mine sometimes even with a Press Card it is difficult to explain the reason for shooting their Goddess and spreading the Message of Peace .
And it is not just a few Bengalis even my own community you have hotheads , who hate you shooting their rituals in a public place ,.but I shoot cosmic plurality I shoot cosmic hope as an Indian ..my being a Muslim does not restrict my vision as a beggar poet and a street photographer .
I shoot a few Pandals where I know they wont be abusive I faced an ire at the oldest Durga Pandal in Mumbai their inhospitable attitude after telling them about myself and my connection with Sonnar Bangla and Sonnar Ma Durge luckily I was with a Hindu friend ,, I was literally thrown out because of my Muslim credentials and my attire nothing else not even a note of apology ,,this is the Bengali arrogance in some hot headed racist Bengalis I had to mention this to those who think the pictures I shot come easy no they dont but those pictures that I was destined to shoot even racists bigots cant stop me from shooting..
The Life Of A Juhu Tourist Photographer ..
This is a very ironical situation and makes me sad of my assumptions ..and you dont have to agree with me ,,
The photographers at Juhu Beach are mostly migrants , they have come from distant places , bought a camera and shoot the local tourist as Juhu Beach or Juhu Chowpatty which is Mumbais pride and No1 Tourist spot ,, badly managed and no effort made to keep it pristine clean .. politicians are busy touching those schemes that generate profits and most of the schemes are moneymaking apparatus..
Not a single politician even those that are photo enthusiasts have tried to help the Marathi Manoos learn photography , give him the push impetus to become photographers and earn money like the migrants and living in Mumbai for last 60 years I know that the Marathi Manoos is not lazy , most of the graphic designers creative artists are Marathi ,, but yes they dont come from a rich background they need financial support vocational guidance ,, and yes they cant afford the fancy exorbitant photography schools and the one premier Institute JJ .. is not enough for a city like Mumbai.
We are self learners but yes we could afford cameras and photography demands a good camera body lens ,, the market is competitive now but 30 years back photography was a rich mans laid back hobby.. shooting on film I shot on Velvia Asa 50 and Ilford Delta, photography was expensive , filters , flash etc..upkeep servicing processing printing..
Digital changed it completely ,, and mobile phone made it accessible as an inspiration the feel of a DSLR is the real thing..the throbbing of the camera body the ,,and though I am now after burning my fingers not a equipment accumulating guy , I still envy those with better cameras why not I am human and not financially well off and photography is not my primary source of income.. I am a hobbyist and this love for photography turned my grandkids into photographers too.. they will never fear the Camera ever like I did at the age 40 something..when I began my tryst with Shivas Third Eye .
So if photography was taught to those unemployed youth I am sure they could be absorbed in many fields of documentation , but many photographers in Mumbai only think of their self interest , many could become good photo journalists and not be shooting shit that the newspaper photographers churn out to justify their salary.. some of the pictures in DNA HT and Midday are horrid with total lack of originality to say the least , I dont read and never will The Times Of India Bombay Times or Mumbai Mirror ..there are more crap artists there , and its time newspapers sourced good pictures from bloggers and amateurs .
The worst place to find good photographers and I say this with a heavy heart is Camera Clubs .. that have now become personal fiefdoms of old rusty crotchety one leg in the grave fine art photographers ..I was a product of a Camera Club I saved my creative soul from burning in hell I became an incorrigible photo blogger .
I well not talk about myself my body of work is at Flickr ,,, and I learn everyday every minute as I favorite my friend followers photostreams ,,I dont want to be a photographer like anyone of them.. I dont want Explore I am happy seeing their work taking inspiration and I make it a point that Marziya 7 and Nerjis 3 see their work,, I too have a leg in the grave but I am using my time to educate my family tree to the better aspects of great good street photography ..
So seeing a tourist Juhu photographer shooting a couple in love holistically healing their love is more important than a few bucks he will make for an instant copy of their memorable visit to Mumbai during Durga Visarjan.
The most important lesson in photography is Humility ,, it you dont have it your importance as a photographer is zilch meaningless ,,Arrogance in a photographer is the cancerous disease that even Time wont heal.
This is dedicated to my dearest friend the simple unassuming Kelly Rae ,, she shoots what I will never be able to shoot .. she shoots the hidden treasure in the souls of Man and Woman.
Do visit her photostream.. my best friend Fred Miller began his day taking in the breath of her picture he did it till the end drew near .. He was a hardcore Kelly Rae Fan... like me.
If I had a bit of Kelly Rae .. within my soul evil dragons I would slay.. what you call poetry I call juggling of word play,,
Thursday, September 25, 2014
About Pitru Paksha Banganga 2014
From Wikipedia
Pitru Paksha (Sanskrit: पितृ पक्ष), also spelt as Pitr paksha or Pitri paksha, (literally "fortnight of the ancestors") is a 16–lunar day period when Hindus pay homage to their ancestors (Pitrs), especially through food offerings. The period is also known as Pitru Pakshya, Pitri Pokkho, Sola Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya Paksha, Peddala Amavasya (in Telugu) and Apara paksha.[1][2][3]
Pitru Paksha is considered by Hindus to be inauspicious, given the death rite performed during the ceremony, known as Shraddha or tarpan. In southern and western India, it falls in the Hindu lunar month of Bhadrapada (September–October), beginning with the full moon day (Purnima) that occurs immediately after the Ganesh festival and ending with the new moon day known as Sarvapitri amavasya, Mahalaya amavasya or simply Mahalaya. The autumnal equinox falls within this period, i.e. the Sun transitions from the northern to the southern hemisphere during this period. In North India and Nepal, this period corresponds to the dark fortnight of the month Ashvin, instead of Bhadrapada.
According to Hinduism, the souls of three preceding generations of one's ancestor reside in Pitru–loka, a realm between heaven and earth. This realm is governed by Yama, the god of death, who takes the soul of a dying man from earth to Pitru–loka. When a person of the next generation dies, the first generation shifts to heaven and unites with God, so Shraddha offerings are not given. Thus, only the three generations in Pitru–loka are given Shraddha rites, in which Yama plays a significant role.[4] According to the sacred Hindu epics (Itihasa), at the beginning of Pitru Paksha, the sun enters the zodiac sign of Libra (Thula). Coinciding with this moment, it is believed that the spirits leave Pitru–loka and reside in their descendants' homes for a month until the sun enters the next zodiac—Scorpio (Vrichchhika)—and there is a full moon. Hindus are expected to propitiate the ancestors in the first half, during the dark fortnight.[2][5]
When Karna, the brave warrior whose acts of giving are legendary even today, died in the epic Mahabharata war, his soul transcended to heaven, where he was offered gold and jewels as food. However, Karna needed real food to eat and asked Indra, the lord of heaven, the reason for serving gold as food. Indra told Karna that he had donated gold all his life, but had never donated food to his ancestors in Shraddha. Karna said that since he was unaware of his ancestors, he never donated anything in their memory. To make amends, Karna was permitted to return to earth for a 15–day period, so that he could perform Shraddha and donate food and water in their memory. This period is now known as Pitru Paksha.[6] In some legends, Yama replaces Indra.[7]
Significance[edit]
Tarpan is being done at the Jagannath Ghat, Kolkata.
The Tarpan (Offering holy water to the manes) is being done at the Jagannath Ghat, Kolkata, at end of the Pitru Paksha.
Annadaana ("Donation of food") is a central part of the rituals during these 16 days. On all these days, offerings are made to the departed, including those whose names or manner of death are not known. On these days tarpan, shraaddha and pinda daan are performed daily according to the procedures under the guidance of a priest. Although these rites are to be carried out daily in this fortnight, it is considered that to perform them on the last day i.e. on Mahalaya Amavasya |(or "Sarva Pitru Amavasya") is extremely important and sacred. The performance of Shraddha by a son during Pitru Paksha is regarded as compulsory by Hindus, to ensure that the soul of the ancestor goes to heaven. In this context, the scripture Garuda Purana says, "there is no salvation for a man without a son".[4] The scriptures preach that a householder should propitiate ancestors (Pitris), along with the gods (devas), ghosts (bhutas) and guests.[1] The scripture Markandeya Purana says that if the ancestors are content with the shraddhas, they will bestow health, wealth, knowledge and longevity, and ultimately heaven and salvation (moksha) upon the performer.[2]
The performance of Sarvapitri amavasya rites can also compensate a forgotten or neglected annual Shraddha ceremony, which should ideally coincide with the death anniversary of the deceased. According to Sharma, the ceremony is central to the concept of lineages. Shraddha involves oblations to three preceding generations—by reciting their names—as well as to the mythical lineage ancestor (gotra). A person thus gets to know the names of six generations (three preceding generation, his own and two succeeding generations—his sons and grandsons) in his life, reaffirming lineage ties.[1] Anthropologist Usha Menon of Drexel University presents a similar idea—that Pitru Paksha emphasises the fact that the ancestors and the current generation and their next unborn generation are connected by blood ties. The current generation repays their debt to the ancestors in the Pitru Paksha. This debt is considered of utmost importance along with a person's debt to his gurus and his parents.[8]
Rules of Shraddha[edit]
When and where[edit]
The shraddha is performed on the specific lunar day during the Pitru Paksha, when the ancestor—usually a parent or paternal grandparent—died. There are exceptions to the lunar day rule; special days are allotted for people who died in a particular manner or had a certain status in life. Chautha Bharani and Bharani Panchami, the fourth and fifth lunar day respectively, are allocated for people deceased in the past year. Avidhava navami ("Unwidowed ninth"), the ninth lunar day, is for married women who died before their husband. Widowers invite Brahmin women as guests for their wife's shraddha. The twelfth lunar day is for children and ascetics who had renounced the worldly pleasures. The fourteenth day is known as Ghata chaturdashi or Ghayala chaturdashi, and is reserved for those people killed by arms, in war or suffered a violent death.[2][4]
Mahalaya marks the formal beginning of the Durga Puja festival
Sarvapitri amavasya (all fathers' new moon day) is intended for all ancestors, irrespective of the lunar day they died. It is the most important day of the Pitru Paksha.[2][4] Those who have forgotten to perform shraddha can do so on this day. A shraddha ritual performed on this day is considered as fruitful as one conducted in the holy city of Gaya, which is seen as a special place to perform the rite, and hosts a fair during the Pitru Paksha period.[3] In Bengal, Mahalaya (Bengali: মহালয়া) marks the beginning of Durga Puja festivities. Mahalaya is the day when the goddess Durga is believed to have descended to Earth. Bengali people traditionally wake up early in the morning on Mahalaya to recite hymns from the Devi Mahatmyam (Chandi) scripture. Offerings to the ancestors are made in homes and at puja mandaps (temporary shrines).[9][10] Matamaha ("Mother's father") or Dauhitra ("Daughter's son") also marks the first day of the month of Ashvin and beginning of the bright fortnight. It is assigned for the grandson of the deceased maternal grandfather.[2][4]
The ritual is also held on the death anniversary of the ancestor. The shraddha is performed only at noon, usually on the bank of a river or lake or at one's own house.[4] Families may also make a pilgrimage to places like Varanasi and Gaya to perform Shraddha.[2][3][11] An annual Pitri Paksha Mela at Gaya on the banks of River Falgu. Pilgrims from all corners of the country visit Gaya for offering Pinda to their Ancestors. According to Bihar Tourism Department estimates, some 5,00,000 to 75,00,000 pilgrims arrive in the Gaya city during the Pitri Paksha Mela every year.[12]
Who and for whom[edit]
It is essential that Shraddha be performed by the son—usually the eldest—or male relative of the paternal branch of the family, limited to the preceding three generations. However, on Sarvapitri amavasya or matamaha, the daughter's son can offer Shraddha for the maternal side of his family if a male heir is absent in his mother's family.[2][4] Some castes only perform the shraddha for one generation.[2] Prior to performing the rite, the male should have experienced a sacred thread ceremony. Since the ceremony is considered inauspicious due to its association with death, the royal family of Kutch, the king or heirs of the throne are prohibited from conducting Shraddha.[4]
Food[edit]
The food offerings made to the ancestors are usually cooked in silver or copper vessels and typically placed on a banana leaf or cups made of dried leaves. The food must include Kheer (a type of sweet rice and milk), lapsi (a sweet porridge made of wheat grains), rice, dal (lentils), the vegetable of spring bean (guar) and a yellow gourd (pumpkin).[4]
Rites of Shraddha[edit]
The male who performs the shraddha should take a purifying bath beforehand and is expected to wear a dhoti. He wears a ring of kush grass. Then the ancestors are invoked to reside in the ring. The shraddha is usually performed bare-chested, as the position of the sacred thread worn by him needs to be changed multiple times during the ceremony. The shraddha involves pinda-daan, which is an offering to the ancestors of pindas (cooked rice and barley flour balls mixed with ghee and black sesame seeds), accompanying the release of water from the hand. It is followed by the worship of Vishnu in form of the darbha grass, a gold image or Shaligram stone and Yama. The food offering is then made, cooked especially for the ceremony on the roof. The offering is considered to be accepted if a crow arrives and devours the food; the bird is believed to be a messenger from Yama or the spirit of the ancestors.[2] A cow and a dog are also fed, and Brahmin priests are also offered food. Once the ancestors (crow) and Brahmins have eaten, the family members can begin lunch.[4]
Here is a list of Names of The Various Days:[13]
1. Purnima Shraddha 2. Pratipada Shraddha 3. Dwitiya Shraddha, Tritiya Shraddha 4. Chaturthi Shraddha 5. Maha Bharani, Panchami Shraddha 6. Shashthi Shraddha 7. Saptami Shraddha 8. Ashtami Shraddha 9. Navami Shraddha 10. Dashami Shraddha 11. Ekadashi Shraddha 12. Dwadashi Shraddha 13. Magha Shraddha, Trayodhashi Shraddha 14. Chaturdashi Shraddha 15. Sarva Pitru Amavasya
Other practices[edit]
Some families also conduct ritual recitals of scriptures such the Bhagavata Purana and the Bhagavad Gita.[4][14] Others may be charitable and present gifts to the priests or pay them to recite prayers for the ancestor's well-being.[14]
en.wikipedia.org/wiki/Pitru_Paksha
I Have A Cosmic Connection With Banganga
My childhood has been spent at Wodehouse Road Colaba , and it was once when I was very young my Dad bought me here to the Shoe House at Hanging Gardens .That was it.
I discovered Banganga as a photographer late in my 40s and the most memorable outing at Banganga was with late Prof BW Jatkar. and I fell in love with this beautiful Tank.
I came to know about Pitru Paksha through the pictures of a friend Ranjit Shashank my PSI Club senior member and mentor I decided I would shoot it too.. and thus began my tryst with Banganga and Pitru Paksha.
And it became a ritual to shoot the Banganga Pitru Paksha every year , barefeet and from there come to Napean Sea Road Maheshwari House take the blessings of my Guru Mr KG Maheshwari House. And these subsequent Pitru Paksha I have not met my Guru for many years now .that is the only sadness while coming to Teen Batti as this area is called .
And strange it may sound after shooting the barbers , the beggars , my first shot before entering the Tank is of this Pandit Maharaj.
He is a very nice kindly soul , but till date I never asked him his name nor does he know that I am a Muslim.. he treats me as a Hindu and I accept his feelings with humility and due respect... and than I move towards the Tank , all the ladies men who sell the Puja articles know me , greet me ..this time all of them wanted to know why I did not come on 23 Sept the main day of Pitru Paksha ..I told them I did not know about it ,, but I made it today that is 24 Sept ,, The rituals were ending at at about 9 Am,
I was lucky to shoot them and share them with all of you.
Wednesday, September 24, 2014
Pitru Paksha Banganga 2014 ,,
Since last evening I was trying to find out the exact timing of the Pitru Paksha rituals , I called up a few people but got no response than I finally called my dear friend Prashant Singh from my camera club PSI Mumbai,,
He told me that it was 23 September and 24 September till 9 am.
So after feeding Marziyas Java finches her Flowerhorns Blackghosts ,,I showered took a rick to Bandra station and a train to Grant Road Station a share a cab to Banganga .
I had about an hour and a half and there wasnt much crowd so I decided to shoot the religious tonsure and barbers after shooting the rituals of Pind Dan on the steps of the Banganga Tank.
I met my good friend Danish Siddiqui from Reuters and another Kashmiri photographer friend ,, there were two photographers from Bangla Desh students actually.. and photographer enthusiast Brij Lakhani with his dad.
Everyone knows me as I have been shooting the Pitru Paksha for almost 10 years now.
I took a bus on my return and a from Charni Road reached Bandra , I shot the Pitru Paksha barefeet..
I walked home via Bandra Slaughter house shooting the Bandra streets .. hijras and more ,,
This documentary of Pitru Paksha is part of my Hindu blogs .. Hope And Hindutva Message of Universal peace a set at Flickr of over 58000 blogs ,,
You can call this anything but Love Jehad I love my cultural inheritance and showcase it as the unique unity in diversity of my country , my motherland.
Got A Raw Deal From Supermax Pest Control Malad
Supermax Pest Control Malad
Got a cockroach treatment done not satisfied they dont answer calls , or respond to emails bill no 8867 Shakirs
Got a cockroach treatment done not satisfied they dont answer calls , or respond to emails bill no 8867 Shakirs
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